This commemorative medal of Florent Schmitt was created by Weysset and issued by the Monnaie de Paris.
Note: Nearly all of Florent Schmitt’s scores were published by the Mathot, Salabert, Eschig and Durand publishing houses. Today, all four publishers are part of Universal Music Publishing Group. To purchase scores or inquire about parts rentals, you can contact the publisher via this link.
A
- Andante et scherzo, Op. 35 (1906)
- Andante religioso, Op. 109a (1950-51)
- Andantino (Vocalise), Op. 30 (1906)
- Antoine et Cléopâtre, Suite No.1, Op. 69a (1920)
- Antoine et Cléopâtre, Suite No.2, Op. 69b (1920)
- L’Arbre entre tous for Chorus and Orchestra, Op. 95 (1939)
A commemorative postage stamp honoring Florent Schmitt was issued in 1992 by La Poste, the French national postal authority.
B
- Ballade de la neige, Op. 6 (1896)
- Les barques, Op. 8 (1897)
C
- Çançunik, Op. 79 (1929)
- Chaîne brisée, Op. 87 (1937)
- Chansons à quatre voix, Op. 39 (1904-05)
- 2 Chansons, Op. 2 (1894)
- 2 Chansons, Op. 18 (1901)
- 3 Chansons, Op. 21 (1897)
- 2 Chansons, Op. 55 (1911)
- Chant de guerre, Op. 63 (1914)
- Le chant de la nuit, Op. 120 (1951)
- Chant de neige
- Chant du soir, Op. 7 (1895)
- Chant élégiaque, Op. 24 (1903)
- Chants Alizés, Op. 125 (1953-57)
- 3 Chants en l’honneur d’Auguste Comte, Op . 71 (1921)
- 12 Chants et Basses d’harmonie, Op. 81b (1931)
- 3 Chants, Op. 98 (1943)
- 3 Chœurs a cappella, Op. 40 (1897-1913)
- 6 Chœurs, Op. 81 (1931)
- 5 Chœurs en vingt minutes, Op. 117 (1951)
- Clarinet Sextet, Op. 128 (1953)
- Clavecin obtempérant, Op. 107 (1947)
- Conseil tune par les rats, Op. 123 (1950)
- A contre-voix, Op. 104 (1944)
- 8 Courtes pièces, Op. 41 (1908)
- Crépuscules, Op. 56 (1911)
A catalogue of Florent Schmitt’s compositions, nearly 100 pages long, was compiled by Yves Hucher and published by Durand & Cie. in 1960.
D
- Danse d’Abisag, Op. 75 (1925)
- Danse des Devadasis, Op. 47 (1908)
- 3 Danses, Op. 86 (1936)
- Demande for Voice and Orchestra (or Piano), Op. 20 (1901)
- Dionysiaques, Op. 62 (1913-14)
- Domine, Dominus Noster, Op. 119 (1956)
- 3 Duos, Op. 136 (1957)
The cover page to a catalogue featuring Florent Schmitt’s compositions. Published by Durand in 1922, the catalogue had a print run of 6,000 copies.
E
- En bonnes voix for a cappella Ensemble, Op. 91 (1938)
- En été for Orchestra, Op. 10 (1894)
- Enfants, Op. 94 (1941)
- Essais de locomotives for Orchestra, Op. 103 (1943)
- Et Pan, au fond des blés lunaires, s’accouda … (1921)
Biography of Florent Schmitt (Yves Hucher, 1953).
F
- Fables sans morales, Op. 130 (1954)
- Feuillets de voyage, Op. 26 (1913)
- Fête de la lumière, Op. 88 (1936)
- Final, Op. 77 (1926)
- Flute Quartet, Op. 106 (1949)
- Fonctionnaire MCMXII, Op. 74 (1924)
Musical quotation from Antoine et Cléopâtre, composed by Florent Schmitt in 1920.
H
- Habeyssée, Op. 110 (1948)
- Hasards, Op. 96 (1944)
- The Head of Kenwarc’h for Male Chorus, Op. 114 (1949)
- Hommage sur le nom de Gabriel Fauré, Op. 72 (1935)
- Humoresques, Op. 43 (1911)
- Hymne à l’eté, Op. 61 (1913)
- Hymne funèbre for Male Chorus and Orchestra, Op. 46b (1899/1933)
“Musical signature” tributes to Florent Schmitt presented by 15 fellow composers and published in the January 1937 issue of L’Art musical magazine. Among the composers who honored Schmitt were Jean Absil, Henry Barraud, Claude Delvincourt, Arthur Honegger, Jacques Ibert, Raymond Locheur and Manuel Rosenthal.
I
- In Memoriam, Op. 72 (1935)
- Introït, récit et congé, Op. 113 (1952)
J
- ‘Janiana’ Symphony for String Orchestra, Op. 101 (1942)
- Jardin Secret (1953)
- J’entends dans le lointain (No. 1 of ‘Ombres, Op. 64’) for Piano & Orchestra (1930)
A 1950 advertisement promoting Florent Schmitt’s scores published by Salabert.
K
- Kermesse-valse, Op. 80 (1928)
- Kérob-shal, Op. 67 (1924)
A 1950 advertisement featuring Florent Schmitt scores published by Durand et Cie.
L
- Laudate, pueri, Dominum, Op. 126 (1952)
- Légende, Op. 66 (1918)
- Lied et scherzo, Op. 54 (1910)
- 4 Lieds, Op. 45 (1912)
- 3 Liturgies Joyeuses, Op. 116 (1951)
Musical quotation from the ballet Oriane et le Prince d’Amour, composed by Florent Schmitt in 1933-34.
M
- Marche du 163 régiment d’infanterie, Op. 48b (1916)
- Marche nuptiale, Op. 108 (1951)
- 3 Mélodies, Op. 4 (1896)
- Messe en quatre parties, Op. 138 (1958)
- Minorités for Flute, Violin and Piano, Op. 93 (1938)
- Mirages, Op. 70 (1921)
- 4 Monocantes, Op. 115 (1949)
- 3 Morceaux for Piano, Op. 13 (1902)
- 5 Motets, Op. 60 (1917)
- Musique sur l’eau, Op. 33 (1898/1912)
- Musiques de plein air, Op. 44 (1900-04)
- Musiques foraines, Op. 22 (1902)
- Musiques intimes, Book 1, Op. 16 (1900)
- Musiques intimes, Book 2, Op. 29 (1904)
Musical quotation from the Piano Quintet by Florent Schmitt, composed in 1908.
N
- Nuits romaines, Op. 23 (1901)
O
- O Salutaris for Voice and Piano, Op. 1 (1891)
- Ombres, Op. 64 (1912-17)
- Oremus pro Pontifice, Op. 127 (1952)
- Oriane et le Prince d’Amour, complete ballet, Op. 83 (1933-34)
- Oriane et le Prince d’Amour, orchestral suite, Op. 83 bis (1937)
This Durand advertisement dating from about 1920 showcases two of the brightest stars in the galaxy of composers represented by the publisher: Maurice Ravel and Florent Schmitt.
P
- Le palais hanté, Op. 49 (1900-04)
- Le petit elfe Ferme-l’oeil complete ballet, Op. 73 (1923)
- Petites musiques, Op. 32 (1906)
- Piano Quintet, Op. 51 (1902-08)
- 2 Pieces for Harp (or Piano), Op. 57 (1911)
- 7 Pieces for Piano 4 Hands, Op. 15 (1899)
- 2 Pièces for Piano, Op. 12 (1899)
- 9 Pieces for Piano, Op. 27 (1903)
- 4 Pieces for Piano, Op. 46 (1903)
- 4 Pieces for Violin and Piano, Op. 25 (1901)
- 3 Pièces récréatives, Op. 37 (1907)
- Pièces romantiques, Op. 42 (1908)
- 2 Pieces for Piano Duet (1887)
- 5 Pièces, Op. 19 (1913)
- 3 Poemes de Robert Ganzo, Op. 118 (1951)
- 4 Poèmes de Ronsard, Op. 100 (1942)
- Pour presque tous les temps, Op. 134 (1956)
- Prélude for Organ, Op. 11 (1899)
- Prélude pour une suite à venir (1948)
- 3 Préludes, Op. 3 (1895)
- Prière for Organ (1914)
- Psaume CXII, Op. 135 (1956)
- Psaume XLVII, Op. 38 (1904)
- Pupazzi, Op. 36 (1907)
In this autograph made by Florent Schmitt in Algiers in 1930, the composer penned a few measures from the final movement of Une Semaine du petit-elfe Ferme-l’oeil.
Q
- Quartet for Three Trombones & Tuba, Op. 109 (1946)
- Quinque cantus, Op. 121 (1952)
Florent Schmitt, photographed in 1937 at the age of 66. (©Boris Lipnitzki / Roger-Voillet)
R
- 3 Rapsodies, Op. 53 (1903-04)
- Reflets d’Allemagne, Op. 28 (1905)
- 5 Refrains, Op. 132 (1955)
- La retardée, Op. 90 (1937)
- Rêves, Op. 65 (1915)
- Rhapsodie parisienne (1900)
- Ritournelle, Op. 2, No. 2 bis (1925)
- Ronde burlesque, Op. 78 (1927)
A 1909 advertisement by French publisher A. Z. Mathot appearing in Le Courrier musical, promoting compositions by Florent Schmitt including several scores in preparation.
S
- Salammbô, Suites Nos. 1-3, Op. 76 (1925)
- Saxophone Quartet, Op. 102 (1948)
- Scènes de la vie moyenne, Op. 124 (1952)
- Scherzo vif, Op. 59 (1910)
- Scherzo-pastorale, Op. 17 (1912)
- Sélamlik, Op. 48, No. 1 (1906)
- Sémiramis, Op. 14 (1900)
- Small gestures, Op. 92 (1940)
- Soir sur le Lac for Voice and Piano, Op. 9 (1898)
- Soirs, Op. 5 (1896)
- Sonate libre en deux parties enchainées, Op. 68 (1919)
- Sonatine en trio, Op. 85 (1936/40)
- Songe de Coppélius, Op. 30/11 (106)
- String Quartet, Op. 112 (1948)
- String Trio, Op. 105 (1946)
- Suite en rocaille, Op. 84 (1935)
- Suite for Flute and Piano (or Orchestra), Op. 129 (1954)
- Suite for Trumpet and Piano (or Orchestra), Op. 133 (1955)
- Suite sans esprit de suite, Op. 89 (1938)
- Sur cinq notes, Op. 34 (1906)
- Symphonie Concertante for Piano and Orchestra, Op. 82 (1932)
- Symphony No. 2, Op. 137 (1957)
This page from a 1965 Durand & Cie. catalogue lists Florent Schmitt’s extensive compositions for solo piano.
T
- Tombeau de Paul Dukas, Op. 87, No. 1 (1937)
- A tour d’anches, Op. 97 (1943)
- La Tragédie de Salomé (Original Version for Small Orchestra – 1907)
- La Tragédie de Salomé, Op. 50 (1910)
- 3 Trios, Op. 99 (1941)
- Tristesse au jardin, Op.52 (1908)
U
- Une semaine du petit elfe Ferme-l’Oeil, Op. 58 (1912)
The first page of a comprehensive listing of Florent Schmitt’s compositions, published in the April 1923 edition of the arts magazine La Revue musicale.
V
- 3 Valses-nocturnes, Op. 31 (1901)
- De vives voix, Op. 131 (1955)
- Vocalise étude, Op. 30 (1906)
Source: Wikipedia (with edits, updates and additions by Phillip Nones).
Florent Schmitt was commemorated on a French postage stamp released in 1992. This First Day Cover was issued in the composer’s hometown of Blâmont in Lorraine.
Does anyone know how to contact the rights holders for Florent Schmitt’s now-unobtainable in Europe Crepusucules for piano Op. 56 for permission to make a copy or use the IMSLP one?
Quel est l’intérêt d’avoir une liste de compositions sans dates de composition ?
Meilleurs vœux,
Nicolas BACRI
C’est une très bonne suggestion, Maestro Bacri. Les dates de composition ont maintenant été ajoutées !
It would be extremely useful to have the instrumentation of each work! Particularly the ones where it is not obvious.
Thank you for your suggestion. Adding the instrumentation for each piece would make this page too cumbersome. However, many of the pieces listed have been the topic of feature articles, which describe the instrumentation. You can view links to those articles (listed alphabetically by composition) via links on this page: https://florentschmitt.com/florent-schmitt-links-to-articles-grouped-by-composition/ I hope this helps!