Two rarities are among the compositions of Florent Schmitt to be featured in the upcoming 2022-23 concert season, presented by orchestras in Amsterdam, Berlin, Buffalo, Indianapolis, Lübeck, Saint Louis, Stockholm, Tokyo, Warsaw and Wuppertal.

In addition to multiple presentations of Schmitt’s best-known composition La Tragédie de Salomé, music-lovers will be treated to two mid-career works — In Memoriam and the Symphonie concertante. It comes as no surprise that in the upcoming 2022-23 concert season, various conductors and orchestras will be presenting Florent Schmitt’s ballet La Tragédie de Salomé. Not […]

Conductor Fabien Gabel talks about his musical journey with French composer Florent Schmitt.

On May 12, 2022, the French conductor Fabien Gabel stepped up to the podium in the auditorium of Maison de la Radio in Paris to lead the Orchestre National de France in two works by Florent Schmitt:  the symphonic picture Rêves, Op. 65 (dating from 1915) and the large-scale choral work Psaume XLVII, Op. 38 (composed […]

Discovering the man behind the musician: The personal remembrances of French composer Florent Schmitt’s biographer, Yves Hucher (1958).

When the composer Florent Schmitt died in August 1958 at the age of nearly 88 years, many prominent musicians, scholars and journalists wrote words of tribute honoring the last of the “grand generation” of French composers that had included, among others, Debussy, Dukas, Ravel, Roussel, Koechlin, Pierné, Cras, Rabaud, Ropartz and Tournemire. Along those lines, […]

Quatre pièces (1901): Florent Schmitt’s early suite for violin and piano.

Like many composers who came of age during the late 1800s, French composer Florent Schmitt’s formative years were influenced by the prevailing musical currents of the day. In the case of Schmitt, Schumann was an early influence, as was Wagner. But by the time Schmitt entered the Paris Conservatoire in 1888, other influences were making […]

Members of the Kebyart Ensemble talk about Florent Schmitt’s Quartet for Saxophones (1941) and its preeminent position in the saxophone repertoire.

The piece will serve as the centerpiece of Kebyart’s ECHO Rising Stars concert programs being presented in 13 European countries between September 2021 and May 2022. Formed in 2014, the Kebyart Ensemble is one of Europe’s most promising saxophone quartets. The group is making a name for itself on concert stages throughout Europe, and also […]

Chant du soir (1895): An early composition by Florent Schmitt comes into its own — 125 years after its creation.

Up until recently, familiarity with the earliest compositions of Florent Schmitt was rather scant.  The composer’s first works were created in the decade leading up to his winning the Prix de Rome first prize for composition in 1900. It was the period after Schmitt had completed his music studies at the conservatory in Nancy and […]

Nine important compositions of Florent Schmitt to be featured in the upcoming 2021-22 concert season by orchestras in Avignon, Berlin, Detroit, Geneva, Hamburg, Kyoto, La Coruña, Ljubljana, Malmö, Metz, Osnabrück, Paris, Rochefort, Saratoga Springs, Tokyo, Toulouse and Urbana.

In a classical music world finally emerging from the COVID-19 crisis, orchestras are beginning again to program “large orchestra” works that had been embargoed due to social distancing requirements. It bodes well for French composer Florent Schmitt’s big, highly colorful scores. The year 2020 was one of several important anniversaries for classical music composers.  The […]

Members of the Prisma String Trio talk about preparing, performing and recording Florent Schmitt’s endlessly fascinating Trio à cordes (1944).

It was a dream come true for the three Prisma musicians, who prepared for nearly a decade before venturing into the recording hall to document their interpretation of Florent Schmitt’s stunning creation: “a string trio with sextet ambitions.”  Music-lovers who are familiar with Florent Schmitt’s artistry are most likely to know his big orchestral compositions, […]

Israeli pianist and pedagogue Tomer Lev talks about planning and producing the new NAXOS recording of the Tombeau de Claude Debussy (1920) complete anthology.

“What stands out in Schmitt’s work is the hypnotic-impressionist atmosphere, verging on the surreal. Both the atmospherics and the piano writing … hint very strongly at Debussy’s own aesthetic world.  It creates a kind of spiritual dialogue that Schmitt conducts with his late older colleague.” — Tomer Lev, pianist and pedagogue In late 2020, NAXOS […]

Deux pièces (1911), Florent Schmitt’s strikingly original chromatic harp composition, gets a new lease on life.

Florent Schmitt’s three instruments were the piano, organ and flute. But during his lengthy career as a composer he would write music featuring nearly every instrument of the orchestra — including several pieces for the harp. More specifically, Schmitt wrote for the chromatic harp. In this regard, the composer was following the same path as […]

Just Announced: Prisma String Trio to make a new recording of Florent Schmitt’s extraordinary Trio a cordes (1944).

It will be just the third time the work has been commercially recorded — and the first one in more than three decades. Among French composer Florent Schmitt’s extensive chamber music creations are a string trio and string quartet that he composed during the waning days of World War II and immediately following. It was […]

Five important compositions of Florent Schmitt to be featured in the upcoming 2020-21 concert season by orchestras in Clermont-Ferrand, Duluth, Houston, Indianapolis, London, Lucerne, Osaka, Paris, Québec City, Rochefort, St. Louis, Saratoga Springs, Strasbourg and Tokyo.

In a classical music world turned upside down by the COVID-19 pandemic, orchestras are bravely stepping forward in the 2020-21 concert season to commemorate French composer Florent Schmitt’s 150th birthday anniversary. The international Bachtrack website is in the process of uploading its global database of classical music programs for the coming season. Although it doesn’t […]

Musicians Louis-Philippe Bonin, Janz Castelo and Nikki Chooi talk about Florent Schmitt’s moody, musing Légende (1918) and the three versions the composer created featuring solo saxophone, viola and violin.

On March 6 and 7, 2020, the Buffalo Philharmonic Orchestra under the direction of its music director, JoAnn Falletta, presented Florent Schmitt’s Légende, Op. 66 in concert. But it wasn’t the customary version for saxophone that the composer had created in 1918, but rather the version prepared several years later that features a solo violin. Arthur […]

In Florent Schmitt’s 150th birthday anniversary year, a new recording featuring the composer’s vocal music is being prepared.

Funding from Florent Schmitt aficionados around the world is being sought to help underwrite the project. As we embark on the 150th birthday anniversary year of Florent Schmitt, who was born in 1870, it is particularly gratifying to discover that this milestone is being recognized in increased programming of Schmitt’s music in Europe, North America, […]

Florent Schmitt’s strikingly inventive Quartet for Trombones and Tuba (1946): Leaving the ‘oompah’ behind.

It’s quite likely that many music-lovers who know of French composer Florent Schmitt are most familiar with his “big” pieces scored for large orchestral forces, overlaid with sparkling orchestration in the grandest post-Rimsky tradition.  And it’s true that many of Schmitt’s best-known works are just those kinds of compositions — pieces like La Tragédie de Salomé, […]