Over the past decade or more, Florent Schmitt’s music written for solo and duo-pianists has appeared on commercial recordings with ever-increasing frequency. Among them are several premiere recordings of the composer’s scores for two piano players as offered up by the Invencia Piano Duo (released in 2012-13 on a series of four CDs on NAXOS’ […]
Category Archives: French Composers
When Florent Schmitt died in August 1958 at the age of nearly 88 years, his fellow composer Henri Dutilleux penned this memorable epitaph: “Florent Schmitt was the last of that great family to which Ravel, Dukas, and Roussel belonged. He remains one of them who, by a happy assimilation of German and Central European influences, […]
“At the crossroads of dance, poetry and music”: Les Apaches’ December 2021 live presentation at the Théâtre de l’Athénée in Paris was commercially recorded and has now been released on the b●records label. La Tragédie de Salomé is French composer Florent Schmitt’s most famous work – and it has been so ever since it first […]
Florent Schmitt’s Reflets d’Allemagne, Op. 28, inspired by his travels throughout Central Europe during his Prix de Rome period (1900-04), is a suite of eight waltzes originally written for piano duet — and music that fairly cries out for ballet treatment. By turns the pieces are whimsical and elegant, but also shot through with notable […]
“Florent Schmitt will not have left this earth without taking away, like a viaticum, the certainty of his genius.” — Bernard Gavoty At the time Florent Schmitt passed away on August 17, 1958 at the age of nearly 88 years, he was considered by many to be the doyen of French composers. One of the […]
On Valentine’s Day 2023, Japanese pianist Tomoki Sakata presented Florent Schmitt’s stunning Symphonie concertante, Op. 82 in concert with the Tokyo Metropolitan Symphony Orchestra under the direction of Yan-Pascal Tortelier. The Symphonie concertante was the centerpiece of an all-French program presented at Tokyo’s Suntory Hall that also included music by Gabriel Fauré (the Prélude from […]
Several months ago Sébastien Damarey, a faithful reader of the Florent Schmitt Website + Blog, sent me a very interesting historical artifact — an interview with Florent Schmitt that was published in the January 25, 1929 issue of the French arts magazine Le Guide du concert et des théâtres lyriques. What makes this article particularly […]
A slender, petite man — and the giant legacy he left us — draw parallels with Maurice Ravel. Over the decades, a total of four biographies of the French composer Florent Schmitt have been published – all of them written in French. Three of these biographies were written during the composer’s lifetime, and with his […]
For nearly every French composer coming of age during the period 1850-1950, competing for and winning the Prix de Rome first prize for composition was the indisputable gold standard. While the musical careers of some Prix de Rome recipients didn’t flourish as much as might be expected, no doubt the prestige of winning the honor […]
On November 12 and 13, 2022, JoAnn Falletta and the Buffalo Philharmonic Orchestra presented one of the most significant entries in the catalogue of Florent Schmitt’s orchestral works — the first part of In Memoriam, Op. 72 (Cippus Feralis). Composed in 1935, it is an extraordinarily beautiful composition, replete with “passion and pathos.” Even though […]
As Florent Schmitt’s star has continued to rise in recent decades, one happy result has been the growing number of recordings helping to fill gaps in the composer’s discography. The trajectory has been real: At the turn of this century, only about half of Florent Schmitt’s compositions had been commercially recorded, but that number is […]
In June 2022, the BIS label is releasing an important new recording that features French trumpet repertoire performed by the noted soloist Håkan Hardenberger along with the Royal Stockholm Philharmonic Orchestra conducted by Fabien Gabel. The recording is the realization of Mr. Hardenberger’s goal to record the trumpet concertante works of Henri Tomasi, André Jolivet, […]
On May 12, 2022, the French conductor Fabien Gabel stepped up to the podium in the auditorium of Maison de la Radio in Paris to lead the Orchestre National de France in two works by Florent Schmitt: the symphonic picture Rêves, Op. 65 (dating from 1915) and the large-scale choral work Psaume XLVII, Op. 38 (composed […]
Even before the onset of World War I, Florent Schmitt was already known as a pathfinding composer. Indeed, such works as Psaume XLVII (1904), La Tragédie de Salomé (1907) and the Piano Quintet (1908) had already cemented his reputation as one of the most influential voices among his generation of French composers. But it was during […]
Throughout his lengthy career as a composer, Florent Schmitt would return again and again to the human voice when creating his compositions. Although Schmitt distanced himself from operatic projects (he created no operas of his own although he prepared piano-reduction scores of several of Frederick Delius’ operatic scores), Schmitt lavished attention on sorts of other […]