Spanish flautist Roberto Casado talks about Florent Schmitt’s Sonatine en Trio and Suite en rocaille – and their place in French Impressionistic music.

The Spanish flautist and chamber musician Roberto Casado discovered the music of Florent Schmitt as part of a quest to find new repertoire pieces in the French Impressionist tradition. His goal was to find scores that weren’t derivative, but instead contained interesting touches that distinguished them from the well-known works of Ravel and Debussy. This mission […]

Excitement on Steroids: Six Live Concert Recordings of Florent Schmitt’s Blockbuster Choral Composition Psalm 47 (1904)

For many classical music lovers, nothing can compare to a live performance.  While studio recordings promise greater precision and better sound quality — along with avoiding distracting audience noise – often this comes at the expense of spontaneity and immediacy. And for a piece of music as viscerally thrilling as Florent Schmitt’s Psalm XLVII, Op. 38, composed […]

Originality, Eclecticism … and Female Voices: Florent Schmitt’s Six Chœurs (1931).

Music lovers who know Florent Schmitt’s stunning Psaume XLVII (1904) might wonder what other choral music may have come from the composer’s pen. And in fact, there are nearly 25 individual choral scores written by Schmitt, composed over more than a half-century’s time. None of them are nearly as famous as the Psalm, but they […]

Florent Schmitt and the Flute

For a composer who wrote many pages of chamber and instrumental music featuring nearly every instrument of the orchestra, Florent Schmitt’s compositions featuring the flute are comparative few. In fact, I count only three such works in the Schmitt catalogue.  They span all the way from his earliest years as a composer (1887) to nearly […]