Spirit of the Dance: Florent Schmitt’s Suite sans esprit de suite (1937/38)

In the last two decades of his long life and extensive musical career, the composer Florent Schmitt would devote much of his energies to creating instrumental music and pieces for voice and choir. Indeed, by and large Schmitt’s later-career output eschewed the full orchestra — with a number of notable exceptions, among them the Introït, récit et congé […]