American cellist Aaron Merritt and French arts administrator Eric Butruille traveled to the Philharmonie in Paris for the June 2018 event and were interviewed immediately thereafter. On June 9th and 10th, 2018, the Orchestre de Paris presented a program that must rank as one of the most interesting concerts of this year’s artistic season in the […]
Music history tells us that the French conductor Paul Paray (1886-1979) gave more first performances of Florent Schmitt’s compositions than any other director. Indeed, Maestro Paray premiered nearly a dozen of the composer’s creations spanning more than a quarter-century, including the following works: Trois rapsodies, Op. 53, January 29, 1928 Cinq motets, Op. 60, January 21, 1934 In Memoriam, Op. 72, November […]
The international Bachtrack website is in the process of uploading its global database of classical music programs for the upcoming season. Although it isn’t an exhaustive listing of every professional group, the site covers nearly all of the major orchestras, opera and ballet companies around the world, making it the “go-to” resource for information about what’s happening […]
Florent Schmitt’s two instruments were the flute and the piano. Arguably the piano was the one he preferred most — at least based on the quantity of music he created — for within the catalogue of Schmitt’s compositions are vast swaths of music written for the piano solo, piano duet and duo. The large majority of these […]
In the late 1980s the first and only commercial recording of Florent Schmitt’s intriguing composition Fonctionnaire MCMXII, Op. 74 (Functionary #1,912) was released on the Cybelia label, featuring the Rhenish State Philharmonic Orchestra conducted by James Lockhart. Schmitt published this symphonic picture 1923, and it received its premiere performance at the Lamoureux Concerts in 1924, conducted […]
The dramatic soprano, famous across the world for her Turandot and other signature operatic roles, sang the rapturous solo part in Florent Schmitt’s stunning choral work Psaume XLVII in 2001. Ask anyone who has attended a performance of Florent Schmitt’s exhilarating choral masterpiece Psaume XLVII, Op. 38, and they’ll tell you how impactful the piece is when heard live. […]
“So dense, so many notes, so many double-stops. So hard to play in tune together, so tricky to balance and to make it sound natural. But what special notes they are!” — Michiel Weidner, Prisma String Trio In the latter part of his career, the French composer Florent Schmitt turned his attention to musical […]
