Infectious elegance and so much more: Florent Schmitt’s Trois valses nocturnes (1901).

French composer Florent Schmitt’s abilities as a pianist were considerable. Even so, he characterized the piano as “a convenient but disappointing substitute for the orchestra.” Taking a look at Schmitt’s piano scores, what’s immediately apparent are the technical demands that are required to do the music justice.  It’s akin to what the French pianist Alfred Cortot famously […]

Clavecin obtempérant (1945), Florent Schmitt’s endlessly fascinating harpsichord suite created for Marcelle de Lacour.

Over a lengthy career spanning more than seven decades, French composer Florent Schmitt created numerous works that showcased the special qualities of various different instruments — including some that are not so often the “featured celebrities” in scores. As an accomplished keyboard artist, it’s no surprise that the composer’s catalogue of works contains many entries featuring […]

French music specialist Michael Feingold talks about creating orchestrations of Maurice Ravel’s piano and vocal scores.

Regular readers of the Florent Schmitt Website + Blog know that sometimes we “relax the routine” and publish an article that focuses on a different composer – usually a contemporary of Schmitt. Of the many fellow composers who Schmitt interacted with during his lengthy career, one with whom he shared an enduring professional and personal bond […]

Musiques intimes (1891-1904): Captivating piano miniatures by Florent Schmitt that reveal the composer in his most introspective moods.

Florent Schmitt may be best-known for his opulent orchestral scores, most of which were written in the first three decades of the 20th century. But Schmitt’s compositional career, which spanned more than seven decades beginning in the late 1880s, contains so much more than just those creations. Taking a look at the composer’s extensive catalogue — […]

Pianist Alain Lefèvre reminisces about working with the great French violinist Christian Ferras, and together preparing Florent Schmitt’s Sonate libre (1918-19) for tour.

To younger music-lovers, the name Christian Ferras may not be well-recognized. But Ferras, who lived from 1933 to 1982, was one of the finest violinists of the 20th century. Unfortunately, it was a career cut short by suicide at the age of just 49 years, but during his 25 years on the stage, Christian Ferras established a reputation as an uncommonly fine […]

Musicians of the Scarab Club Chamber Music Series Talk About Preparing and Performing Florent Schmitt’s Quartet Pour presque tous les temps (1956).

On October 7, 2018, Detroit’s Scarab Club Chamber Music Series launched its 21st season with a performance of Florent Schmitt’s quartet Pour presque tous les temps, Op. 134 (“Quartet for Almost All the Time”), a late-career work for flute, violin, cello and piano created by Schmitt in 1956 when the composer was 86 years old. […]

Mathieu Cherkit: A noted young painter draws artistic inspiration from Florent Schmitt’s longtime home in Saint-Cloud.

Not long ago, a document surfaced on the Internet that dates from the time of the Paris Exposition of 1937. As Europe’s last great transnational gathering before World War II swept the continent, countries great and small exhibited their art and culture at the International Exposition of Art and Technology in Modern Life (as it […]