Florent Schmitt may be best-known for his opulent orchestral scores, most of which were written in the first three decades of the 20th century. But Schmitt’s compositional career, which spanned more than seven decades beginning in the late 1880s, contains so much more than just those creations. Taking a look at the composer’s extensive catalogue — […]
To younger music-lovers, the name Christian Ferras may not be well-recognized. But Ferras, who lived from 1933 to 1982, was one of the finest violinists of the 20th century. Unfortunately, it was a career cut short by suicide at the age of just 49 years, but during his 25 years on the stage, Christian Ferras established a reputation as an uncommonly fine […]
On October 7, 2018, Detroit’s Scarab Club Chamber Music Series launched its 21st season with a performance of Florent Schmitt’s quartet Pour presque tous les temps, Op. 138 (“Quartet for Almost All the Time”), a late-career work for flute, violin, cello and piano created by Schmitt in 1956 when the composer was 86 years old. […]
Not long ago, a document surfaced on the Internet that dates from the time of the Paris Exposition of 1937. As Europe’s last great transnational gathering before World War II swept the continent, countries great and small exhibited their art and culture at the International Exposition of Art and Technology in Modern Life (as it […]
Within the extensive catalogue of compositions by Florent Schmitt are a large number of choral works, great and small. Of these, music-lovers are likely to be most familiar with Schmitt’s grandiose setting of Psalm 47, which he composed in 1904 during his Prix de Rome period. But most of Schmitt’s other choral works are vastly different from […]
Often, composers “favor” instruments that they themselves know how to play. Florent Schmitt’s own instruments were the piano, organ and flute, so it shouldn’t be too surprising that a significant number of this composer’s creations would feature these instruments. In particular, Schmitt was a highly proficient pianist, which helps explain the expressiveness and effectiveness of his piano compositions […]
Over a composing career of seven decades, Florent Schmitt would pen music featuring nearly every instrument of the symphony orchestra in a solo capacity. The cello was no exception. In fact, Schmitt composed three concertante pieces featuring the cello — one each during his early, middle and late period of creativity. The earliest of the […]
