Pianist Edward Rushton talks about exploring Florent Schmitt’s repertoire of vocal music and preparing it for performance and recording.

Considering that 2020 marks the 150th birthday anniversary of French composer Florent Schmitt, who lived from 1870 to 1958, it isn’t surprising that the milestone would be marked by the release of several new recordings this year that are devoted to the composer’s music. The first of these is a recording devoted to the vocal […]

Florent Schmitt takes a breather: Petites musiques for solo piano (1906).

Within the extensive catalogue of compositions by Florent Schmitt are a great many works for piano – including solo, duet and duo-pianist pieces. Most of this output dates from the composer’s early years of creativity from about 1890 to the mid-1920s, although several additional sets of solo piano pieces would be published in the runup […]

Five important compositions of Florent Schmitt to be featured in the upcoming 2020-21 concert season by orchestras in Duluth, Houston, Indianapolis, Laon, Lille, London, Lucerne, Osaka, Paris, Québec City, St. Louis, Saratoga Springs, Strasbourg and Tokyo.

In a classical music world turned upside down by the COVID-19 pandemic, orchestras are bravely stepping forward in the 2020-21 concert season to commemorate French composer Florent Schmitt’s 150th birthday anniversary. The international Bachtrack website is in the process of uploading its global database of classical music programs for the coming season. Although it doesn’t […]

Austrian conductor Gottfried Rabl talks about preparing and presenting the 2020 Romanian premiere performance of Florent Schmitt’s blockbuster choral composition Psalm 47 (1904).

In early March 2020, I had the opportunity to attend what turned out to be the very last public performances of Florent Schmitt’s orchestral before the Coronavirus pandemic effectively shut down classical concerts across the globe. Those concerts, presented by the Buffalo Philharmonic Orchestra under the direction of JoAnn Falletta, were noteworthy not only because the […]

Musicians Louis-Philippe Bonin, Janz Castelo and Nikki Chooi talk about Florent Schmitt’s moody, musing Légende (1918) and the three versions the composer created featuring solo saxophone, viola and violin.

On March 6 and 7, 2020, the Buffalo Philharmonic Orchestra under the direction of its music director, JoAnn Falletta, presented Florent Schmitt’s Légende, Op. 66 in concert. But it wasn’t the customary version for saxophone that the composer had created in 1918, but rather the version prepared several years later that features a solo violin. Nikki […]

Conductor JoAnn Falletta talks about preparing Florent Schmitt’s Oriane et le Prince d’Amour ballet suite (1933-34) for performance and recording.

On March 7 and 8, 2020, the Buffalo Philharmonic Orchestra under the baton of its music director, JoAnn Falletta, presented what may well be the North American premiere performances of the suite from Florent Schmitt’s ballet Oriane et le Prince d’Amour. Composed in 1933-34 for Ida Rubinstein, the famed dancer and dramatic actress who commanded […]

Florent Schmitt and Heitor Villa-Lobos: An enduring friendship anchored in music.

Throughout his lengthy career, the French composer Florent Schmitt maintained personal friendships with many of his counterparts.  He was at the center of musical life in Paris, having particularly close relationships with Maurice Ravel, Albert Roussel, Gabriel Pierné, Paul Dukas, Gabriel Fauré, and numerous other French composers, in addition to helping the careers of younger […]