Arts critic Steven Kruger talks about the music of Florent Schmitt and its place in France’s “Golden Age” of classical music.

One of my favorite critics on the international classical music scene today is Steven Kruger, who is a reviewer for New York Arts and Fanfare magazine.  What is particularly special is Kruger’s way of tying his music criticism to broader cultural and artistic undercurrents, often making fresh and novel connections that go unnoticed by others. […]

Musicologist Megan Varvir Coe talks about the Symbolist roots of Florent Schmitt’s ballet La Tragédie de Salomé (1907/10).

Along with his concert band masterpiece Dionysiaques, La Tragédie de Salomé, Op. 50 is French composer Florent Schmitt’s best-known score.  But most music-lovers know only the version that Schmitt prepared in 1910 for large orchestra.  Three years earlier, an original version twice as long had been created by Schmitt for the American dancer Loïe Fuller, who presented it at […]

French conductor Fabien Gabel talks about Florent Schmitt’s Ronde burlesque (1927) … and why he champions the music of this composer around the world.

Fabien Gabel is one of France’s leading conductors of the younger generation, with an international career. He has been music director of the Orchestre Symphonique de Québec since 2012, and this year was also named music director of the Orchestre Français des Jeunes, succeeding David Zinman.  In addition, he guest-conducts regularly in the United States and major […]

Bill Barclay, music director of Shakespeare’s Globe, talks about bringing Florent Schmitt’s Antony & Cleopatra (1920) to the Hollywood Bowl and the Barbican Centre.

Florent Schmitt’s incidental music to Antoine et Cléopâtre, Op. 69 is one of the composer’s most intriguing works – a bright star in the constellation of sumptuous “orientalist” compositions created by this French master. The music was composed for André Gide’s 1920 adaptation of Shakespeare’s play, with the role of Cleopatra performed by the celebrated […]

Musicologist and Author Nicolas Southon talks about his new book profiling orchestral works by 16 Francophone composers including Florent Schmitt.

Published in English and French versions, the book is available for viewing and download free of charge. Recently, the music publishing firm Durand-Salabert-Eschig (part of Universal Music Publishing Group) released a book titled A French Touch: Rediscovering a Uniquely French Symphonic Repertoire. Researched and written by French musicologist and author Nicolas Southon, the slender volume (44 pages long) […]

Six important compositions of Florent Schmitt to be featured in the upcoming 2016/17 concert season by orchestras in Asheville, Berlin, Bern, Liège, London, Metz, Neuss-am-Rhein, Paris, Philadelphia, Québec, Seoul, Spokane, Stockholm and Tokyo.

The international Bachtrack website is in the process of uploading its global database of classical music programs for the upcoming season. Although it isn’t an exhaustive listing of every orchestral group, the site covers nearly all of the major orchestras, opera and ballet companies and other important ensembles around the world, making it the “go-to” […]

French Conductor Fabien Gabel talks about Rêves (1915), other compositions of Florent Schmitt, and the future of French music in the concert hall.

This month, the French conductor Fabien Gabel revealed his plans to lead the Berlin Radio Symphony Orchestra in a December 2016 performance of Florent Schmitt’s tone picture Rêves, Opus 65 (Dreams), composed just over a century ago. In subsequent discussions with the Maestro, I discovered how much he is doing to program French repertoire from the late […]