Director Bill Barclay and conductor JoAnn Falletta talk about mounting a dramatic adaptation of Antony & Cleopatra that pairs Shakespeare’s words with Florent Schmitt’s jaw-dropping music from the 1920 Paris production of the play.

By now, it seems that Florent Schmitt’s two Antoine et Cléopâtre Suites, Op. 69 have at last transitioned from being true rarities to become orchestral repertoire that is actually known.  There are now four commercial recordings of the suites (three of them made within the past decade), and in the past several years the music […]

Andantino (Vocalise): Florent Schmitt’s most versatile composition (1906).

The French composer Florent Schmitt was known for creating multiple versions of many of his compositions. Throughout his lengthy career, time and again the composer would produce additional arrangements of his works featuring different sets of instruments. To illustrate, many of Schmitt’s orchestral works were also published in piano reduction scores (solo, duet and/or piano […]

Contrasting voices: Florent Schmitt’s a cappella masterpiece A contre-voix (1944).

Within the vast catalogue of music created by the French composer Florent Schmitt are a great number of vocal compositions. Indeed, throughout his 70+ year composing career, Schmitt would return again and again to the human voice — writing works for solo voice as well as for chorus. The choral pieces are particularly interesting in […]