Musicians of the Scarab Club Chamber Music Series Talk About Preparing and Performing Florent Schmitt’s Quartet Pour presque tous les temps (1956)

On October 7, 2018, Detroit’s Scarab Club Chamber Music Series launched its 21st season with a performance of Florent Schmitt’s quartet Pour presque tous les temps, Op. 138 (“Quartet for Almost All the Time”), a late-career work for flute, violin, cello and piano created by Schmitt in 1956 when the composer was 86 years old. […]

Mathieu Cherkit: A noted young painter draws artistic inspiration from Florent Schmitt’s longtime home in Saint-Cloud.

Not long ago, a document surfaced on the Internet that dates from the time of the Paris Exposition of 1937. As Europe’s last great transnational gathering before World War II swept the continent, countries great and small exhibited their art and culture at the International Exposition of Art and Technology in Modern Life (as it […]

Playful liveliness and ironic verve: Florent Schmitt’s Trois trios for female voices (1940)

Within the extensive catalogue of compositions by Florent Schmitt are a large number of choral works, great and small. Of these, music-lovers are likely to be most familiar with Schmitt’s grandiose setting of Psalm 47, which he composed in 1904 during his Prix de Rome period. But most of Schmitt’s other choral works are vastly different from […]

Feuillets de voyage: French composer Florent Schmitt’s musical travel diary (1903-5).

Often, composers “favor” instruments that they themselves know how to play.  Florent Schmitt’s own instruments were the piano, organ and flute, so it shouldn’t be too surprising that a significant number of this composer’s creations would feature these instruments. In particular, Schmitt was a highly proficient pianist, which helps explain the expressiveness and effectiveness of his piano compositions […]

American cellist Elisa Kohanski talks about Florent Schmitt’s Chant élégiaque (1899-1903) and its debt to Gabriel Fauré’s Élégie.

Over a composing career of seven decades, Florent Schmitt would pen music featuring nearly every instrument of the symphony orchestra in a solo capacity. The cello was no exception. In fact, Schmitt composed three concertante pieces featuring the cello — one each during his early, middle and late period of creativity.  The earliest of the […]

American soprano Korliss Uecker talks about preparing and singing the solo soprano part in Florent Schmitt’s choral masterpiece Psalm 47 (1904).

One of the most memorable highlights of my concert-going life was hearing Florent Schmitt’s stunning choral masterpiece Psaume XLVII, Op. 38 presented at Lincoln Center in New York City. Although I was well-familiar with the piece, having discovered it several decades earlier, this was the first opportunity I’d had to see it performed live in concert. Like […]

Experiencing Florent Schmitt’s Antony & Cleopatra (1920) and other orientalist masterpieces from France’s “Golden Age” of classical music live in concert: An eyewitness report from Paris.

American cellist Aaron Merritt and French arts administrator Eric Butruille traveled to the Philharmonie in Paris for the June 2018 event and were interviewed immediately thereafter. On June 9th and 10th, 2018, the Orchestre de Paris presented a program that must rank as one of the most interesting concerts of this year’s artistic season in the […]