Musicians of the Orchestre Symphonique de Québec talk about Florent Schmitt’s Ronde burlesque (1927) and explore the “secret sauce” of the composer’s orchestral writing.

On May 24, 2017, the Orchestre Symphonique de Québec and its music director, Fabien Gabel, presented the North American premiere performance of Florent Schmitt’s Ronde burlesque, Opus 78, a work composed 90 years before (in 1927). Not only was it the first performance of this piece on the continent, it was also the first time […]

Five important compositions of Florent Schmitt to be featured in the upcoming 2017/18 concert season by orchestras in Cleveland, London, Lyon, Milwaukee and Paris.

The international Bachtrack website is in the process of uploading its global database of classical music programs for the upcoming season. Although it isn’t an exhaustive listing of every orchestral group, the site covers nearly all of the major orchestras, opera and ballet companies and other important ensembles around the world, making it the “go-to” […]

Members of the Mélomanie chamber ensemble talk about the music of Florent Schmitt and preparing his Sonatine en trio (1935) for performance.

In April 2017, the Delaware-based chamber group Mélomanie presented Florent Schmitt’s Sonatine en trio, Opus 85, an intimate and engaging piece for flute, clarinet and harpsichord the composer created in 1935. The Schmitt Sonatine was part of a fascinating program that featured seven works stretching from the 1600s (Marin Marais) through to contemporary pieces by Nicolas Bacri, Shulamit […]

International trumpet soloist and pedagogue Reinhold Friedrich talks about the release of his new recording L’Amour française – ten French compositions including the Suite en trois parties by Florent Schmitt (1955).

In March 2017, the German ARS Produktion label will release a new recording consisting of works for trumpet and piano created by ten Francophone composers, featuring the esteemed international soloist and pedagogue Reinhold Friedrich. Titled L’Amour française, the recording is particularly noteworthy in that much of the repertoire is relatively unfamiliar – even to trumpet […]

Organist and music researcher Guillaume Le Dréau talks about French composer Florent Schmitt’s consequential work as a Parisian music critic (1912-1939).

Guillaume Le Dréau is one of the most multi-faceted musicians I know. A keyboard artist, he is currently the organist at Rennes Cathedral in France — but this position represents only one aspect of his many musical activities.  Not only does he play the organ and piano, he is a composer, an arranger, a teacher and a researcher. […]

Fête de la lumière: Florent Schmitt’s extravagant showpiece at the Paris Exposition (1937).

In 1937, one of the final transnational gatherings held on the European continent before the onset of World War II occurred in the city of Paris. The International Exposition of Art and Technology in Modern Life — colloquially known as the Paris Exposition — took place between May and November of that year. Its lofty […]

Horn soloist Corbin Wagner talks about performing Lied et scherzo (1910), Florent Schmitt’s extraordinary double wind quintet composition featuring the French horn.

One of the most fascinating pieces of music featuring the French horn is Florent Schmitt’s Lied et scherzo, Op. 54.  Originally composed in 1910 for double wind quintet in which one of the horns plays an important solo role, subsequently the composer prepared three other versions of this music:  one for horn and piano; another […]