Pianist Edward Rushton talks about exploring Florent Schmitt’s repertoire of vocal music and preparing it for performance and recording.

Considering that 2020 marks the 150th birthday anniversary of French composer Florent Schmitt, who lived from 1870 to 1958, it isn’t surprising that the milestone would be marked by the release of several new recordings this year that are devoted to the composer’s music. The first of these is a recording devoted to the vocal […]

Austrian conductor Gottfried Rabl talks about preparing and presenting the 2020 Romanian premiere performance of Florent Schmitt’s blockbuster choral composition Psalm 47 (1904).

In early March 2020, I had the opportunity to attend what turned out to be the very last public performances of Florent Schmitt’s orchestral before the Coronavirus pandemic effectively shut down classical concerts across the globe. Those concerts, presented by the Buffalo Philharmonic Orchestra under the direction of JoAnn Falletta, were noteworthy not only because the […]

Danse des Devadasis (1908): Florent Schmitt’s masterful evocation of the temple dancers of South India.

“What I find most astonishing about this piece is the fact that such heightened intensity and élan is achieved in record time … Florent Schmitt packs in the musical imagery required to make us imagine in our minds — and feel in our bodies — the dancing rites and rituals of the Devadasis. He makes […]

Quiet intensity and moving moderation: Messe en quatre parties, Florent Schmitt’s final composition (1958).

Many music-lovers I know are under the mistaken impression that Florent Schmitt’s Symphony No. 2, Op. 137 was the last piece the composer created.  It’s a reasonable supposition because the Symphony received its premiere performance in Strasbourg on June 15, 1958, by the French National Radio Orchestra under the direction of Charles Munch, just two […]

Canadian soprano Karina Gauvin and French conductor Fabien Gabel talk about becoming acquainted with Florent Schmitt’s choral spectacular Psalm 47 (1904) and preparing the music for performance.

On May 29, 2019, the Orchestre Symphonique de Quebéc and its chorus presented the orchestra’s final concert of the season – one that featured French music exclusively. The event was a red-carpet affair at the Grand-Théâtre in Québec City in which local dignitaries were invited guests of the orchestra.  Also noteworthy was the centerpiece of […]

Contrasting voices: Florent Schmitt’s a cappella masterpiece A contre-voix (1944).

Within the vast catalogue of music created by the French composer Florent Schmitt are a great number of vocal compositions. Indeed, throughout his 70+ year composing career, Schmitt would return again and again to the human voice — writing works for solo voice as well as for chorus. The choral pieces are particularly interesting in […]

American choral director Scott Tucker talks about the connection between Gabriel Fauré, Lili Boulanger and Florent Schmitt — and presenting Schmitt’s Psaume XLVII in a concert showcasing the important choral legacy of all three composers.

“It was the most thrilling piece I’d heard in years.  I was so moved by its unbridled joy that I knew we had to build an entire concert around it …” — Scott Tucker, Artistic Director, The Choral Arts Society of Washington On Sunday, May 19, 2019, The Choral Arts Society of Washington will present a […]

Ten important compositions of Florent Schmitt to be featured in the upcoming 2019/20 concert season by orchestras in Antwerp, Augusta, Boston, Buffalo, Cluj, Hiroshima, Maastricht, Montréal, Mulhouse, Paris, Perth, Québec City, Rio de Janeiro, Rochefort and Shanghai.

The international Bachtrack website is in the process of uploading its global database of classical music programs for the coming season. Although it doesn’t provide a comprehensive listing of every professional group’s events, the site covers nearly all of the major orchestras, opera and ballet companies around the world, making it the “go-to” resource for […]

Playful liveliness and ironic verve: Florent Schmitt’s Trois trios for female voices (1940)

Within the extensive catalogue of compositions by Florent Schmitt are a large number of choral works, great and small. Of these, music-lovers are likely to be most familiar with Schmitt’s grandiose setting of Psalm 47, which he composed in 1904 during his Prix de Rome period. But most of Schmitt’s other choral works are vastly different from […]

American soprano Korliss Uecker talks about preparing and singing the solo soprano part in Florent Schmitt’s choral masterpiece Psalm 47 (1904).

One of the most memorable highlights of my concert-going life was hearing Florent Schmitt’s stunning choral masterpiece Psaume XLVII, Op. 38 presented at Lincoln Center in New York City. Although I was well-familiar with the piece, having discovered it several decades earlier, this was the first opportunity I’d had to see it performed live in concert. Like […]

Four important compositions of Florent Schmitt to be featured in the upcoming 2018/19 concert season by orchestras in Bern, Buffalo, Malmö, Mexico City, Norfolk, Paris, Québec City, Warsaw and Washington.

The international Bachtrack website is in the process of uploading its global database of classical music programs for the upcoming season. Although it isn’t an exhaustive listing of every professional group, the site covers nearly all of the major orchestras, opera and ballet companies around the world, making it the “go-to” resource for information about what’s happening […]

Reminiscing with American soprano Audrey Stottler about presenting Florent Schmitt’s Psalm 47 (1904) at the Washington National Cathedral

The dramatic soprano, famous across the world for her Turandot and other signature operatic roles, sang the rapturous solo part in Florent Schmitt’s stunning choral work Psaume XLVII in 2001. Ask anyone who has attended a performance of Florent Schmitt’s exhilarating 1904 choral masterpiece Psaume XLVII, Op. 38, and they’ll tell you how impactful the piece is when heard […]

A rare live interview with French composer Florent Schmitt, conducted by Georges Charbonnier (1954).

Cliquez ici pour écouter l’interview de Schmitt/Charbonnier sur YouTube. For readers of the Florent Schmitt Website + Blog, we are pleased to provide a link to a rare taped interview of the composer, done in 1954 when Schmitt was 84 years old. The interview was conducted by Georges Charbonnier, an important executive producer at the French […]

Musicians Edward Rushton, Guillaume Le Dréau and JoAnn Falletta talk about Florent Schmitt’s captivating Chansons à quatre voix (1903-05).

Throughout his long composing career spanning from the late 1880s to the late 1950s, Florent Schmitt would return again and again to the human voice. While he never composed an opera, he wrote voluminous pages of music in every other form that features solo and mixed voices. Tellingly, the composer’s Opus 1 and his final Opus 138 […]

Fête de la lumière: Florent Schmitt’s extravagant showpiece at the Paris Exposition (1936-37).

In 1937, one of the final transnational gatherings held on the European continent before the onset of World War II occurred in the city of Paris. The International Exposition of Art and Technology in Modern Life — colloquially known as the Paris Exposition — took place between May and November of that year. Its lofty […]