Austrian conductor Gottfried Rabl talks about preparing and presenting the 2020 Romanian premiere performance of Florent Schmitt’s blockbuster choral composition Psalm 47 (1904).

In early March 2020, I had the opportunity to attend what turned out to be the very last public performances of Florent Schmitt’s orchestral before the Coronavirus pandemic effectively shut down classical concerts across the globe. Those concerts, presented by the Buffalo Philharmonic Orchestra under the direction of JoAnn Falletta, were noteworthy not only because the […]

Danse des Devadasis (1908): Florent Schmitt’s masterful evocation of the temple dancers of South India.

“What I find most astonishing about this piece is the fact that such heightened intensity and élan is achieved in record time … Florent Schmitt packs in the musical imagery required to make us imagine in our minds — and feel in our bodies — the dancing rites and rituals of the Devadasis. He makes […]

Quiet intensity and moving moderation: Messe en quatre parties, Florent Schmitt’s final composition (1958).

Many music-lovers I know are under the mistaken impression that Florent Schmitt’s Symphony No. 2, Op. 137 was the last piece the composer created.  It’s a reasonable supposition because the Symphony received its premiere performance in Strasbourg on June 15, 1958, by the French National Radio Orchestra under the direction of Charles Munch, just two […]

Canadian soprano Karina Gauvin and French conductor Fabien Gabel talk about becoming acquainted with Florent Schmitt’s choral spectacular Psalm 47 (1904) and preparing the music for performance.

On May 29, 2019, the Orchestre Symphonique de Quebéc and its chorus presented the orchestra’s final concert of the season – one that featured French music exclusively. The event was a red-carpet affair at the Grand-Théâtre in Québec City in which local dignitaries were invited guests of the orchestra.  Also noteworthy was the centerpiece of […]

Contrasting voices: Florent Schmitt’s a cappella masterpiece A contre-voix (1944).

Within the vast catalogue of music created by the French composer Florent Schmitt are a great number of vocal compositions. Indeed, throughout his 70+ year composing career, Schmitt would return again and again to the human voice — writing works for solo voice as well as for chorus. The choral pieces are particularly interesting in […]

American choral director Scott Tucker talks about the connection between Gabriel Fauré, Lili Boulanger and Florent Schmitt — and presenting Schmitt’s Psaume XLVII in a concert showcasing the important choral legacy of all three composers.

“It was the most thrilling piece I’d heard in years.  I was so moved by its unbridled joy that I knew we had to build an entire concert around it …” — Scott Tucker, Artistic Director, The Choral Arts Society of Washington On Sunday, May 19, 2019, The Choral Arts Society of Washington will present a […]

Ten important compositions of Florent Schmitt to be featured in the upcoming 2019/20 concert season by orchestras in Antwerp, Augusta, Boston, Buffalo, Cluj, Hiroshima, Maastricht, Montréal, Mulhouse, Paris, Perth, Québec City, Rio de Janeiro, Rochefort and Shanghai.

The international Bachtrack website is in the process of uploading its global database of classical music programs for the coming season. Although it doesn’t provide a comprehensive listing of every professional group’s events, the site covers nearly all of the major orchestras, opera and ballet companies around the world, making it the “go-to” resource for […]