International trumpet soloist and pedagogue Reinhold Friedrich talks about the release of his new recording L’Amour française – ten French compositions including the Suite en trois parties by Florent Schmitt (1955).

In March 2017, the German ARS Produktion label will release a new recording consisting of works for trumpet and piano created by ten Francophone composers, featuring the esteemed international soloist and pedagogue Reinhold Friedrich. Titled L’Amour française, the recording is particularly noteworthy in that much of the repertoire is relatively unfamiliar – even to trumpet […]

Horn soloist Corbin Wagner talks about performing Lied et scherzo (1910), Florent Schmitt’s extraordinary double wind quintet composition featuring the French horn.

One of the most fascinating pieces of music featuring the French horn is Florent Schmitt’s Lied et scherzo, Op. 54.  Originally composed in 1910 for double wind quintet in which one of the horns plays an important solo role, subsequently the composer prepared three other versions of this music:  one for horn and piano; another […]

Canadian saxophonist Louis-Philippe Bonin talks about Florent Schmitt’s Saxophone Quartet (1941) and its pride of place in the saxophone repertoire.

Florent Schmitt composed just three works for the saxophone, but all three of them hold a place of prominence in the repertoire. Soloists frequently play the Légende (1918) as well as the Songe de Coppélius (1908).  Both of these are works that are Impressionistic and Romantic in style — with a more than hint of Schmitt’s […]

Julien Columeau, noted French novelist in the Urdu language, talks about the music of Florent Schmitt and how it inspires his writing.

“I’ve learned a good deal in terms of structure by listening to classical music — and particularly to music created by a person like Florent Schmitt.  In fact, I think that a well-structured text, including a share of the predictable and unpredictable, should be modeled on a piece of Schmitt’s music!” — Julien Columeau, novelist […]

Members of the Garth Newel Piano Quartet talk about preparing Florent Schmitt’s Hasards (1943) for performance.

In April 2016, the Garth Newel Piano Quartet presented Florent Schmitt’s piano quartet Hasards, Op. 96 as part of a chamber music program of French music that also included compositions by Ernest Chausson and Maurice Ravel. I was fortunate enough to attend this concert, played in the aesthetically and acoustically pleasing Herter Hall, a former […]

Timpani Records announces its newest Florent Schmitt recording project, featuring a half-century of compositions for wind instruments performed by the Initium Ensemble.

The new recording is scheduled for release in fall 2016. Word has just been received from Stéphane Topakian, head of Timpani Records, that his enterprising label will release its latest Florent Schmitt recording later this year. The new release will include six works composed by Schmitt featuring wind instrumentation. The generously filled recording will contain the following pieces, spanning […]

Musicians Beata Halska and Claudio Chaiquin talk about researching and recording French composer Florent Schmitt’s music for violin and piano.

The new NAXOS recording includes several discographic world premieres, along with the monumental Sonate libre. In mid-2015, NAXOS released a recording devoted to Florent Schmitt’s music for violin and piano.  It contains several world premieres, along with the Sonate libre en deux parties enchainées, Opus 68, a half hour-long stylistically advanced tour de force composed by Schmitt […]