Florent Schmitt’s early art songs: A trove of treasures awaits rediscovery.

Recently, the INA archives (French National Radio and Television) has begun offering for download a memorial concert held in honor of Florent Schmitt.  The concert, which was broadcast in October 1958 two months following the composer’s death, has never been made available since its initial airing until now. The memorial program featured five works by Schmitt including […]

In the chamber of the Shulamite: The great sopranos who have performed and recorded Florent Schmitt’s Psalm 47 (1904).

The Psaume XLVII of Florent Schmitt is recognized as one of the most important choral works of the early 20th century.  And while it isn’t performed with great regularity, it has benefited from quality interpretations as revealed by some of the world’s leading conductors, ensembles and soloists. Particular pride of place goes to a group […]

Choral chromaticism par excellence: Florent Schmitt’s Cinq chœurs en vingt minutes for mixed chorus and large orchestra (1951).

Within the extensive catalogue of Florent Schmitt’s compositions are a great many vocal works — pieces written for solo voice or for chorus.  In fact, there are over 50 such opus numbers. Many of Schmitt’s choral works are based on sacred texts, although often the scores seem quite removed from a sense of piety.  Perhaps the best-known example of […]

Florent Schmitt’s Best-Known Early Composition: Soirs (1890-96)

Generally speaking, music lovers who know the works of French composer Florent Schmitt are most familiar with his compositions dating from the early 1900s onward. Far less known are the numerous works the composer created in the years before the appearance of the startling and celebrated Psaume XLVII, which Schmitt composed in 1904 in Rome and which received its premiered in […]