Here we have it, ladies and gentlemen: France’s missing symphony from the 1950s … It is almost impossibly beautiful, with some of the most kaleidoscopic sound-staging and effective bass sonorities you will encounter. Florent Schmitt’s Second Symphony was never precisely lost, to be sure. It’s actually the Francophone fifties which seemed to disappear and turn […]
Monthly Archives: September 2012
One of the most fascinating and forward-looking works in the concert band repertoire was penned by Florent Schmitt back in 1913/14. Dionysiaques, Op. 62 was composed for France’s elite Garde Républicaine Band, which premiered the work in 1925. Dionysiaques is a brilliant, 11-minute tour de force that takes the listener on an incredible sound journey. Although […]
“To appreciate this music fully, ready the hot tub, invite a few friends over, burn incense and uncork the wine you were saving for a special occasion.” — International Record Review One of the most intriguing pieces of music composed by Florent Schmitt during his “orientalist” period was the incidental music to André Gide’s new adaptation […]
“[It] is like a half-hour visit to the pleasure dome in Xanadu, and if it doesn’t give you a few spiritual orgasms, then perhaps you need to insert Viagra® in each of your ears.” — Raymond Tuttle, Music Critic, Fanfare Magazine The ballet La Tragédie de Salomé, Op. 50 is Florent Schmitt’s most famous […]
“[Florent Schmitt’s four-hand piano works are] probably the finest in the whole modern repertoire. Sanely modern and splendidly constructed (they are a joy to play), his large output — in quality and inspiration — stands alone, and his genius finds full expression in this form.” — Alec Rowley, English composer and keyboard artist Florent Schmitt’s […]
One of more successful Schmitt music albums to be released recently features Yan-Pascal Tortelier conducting the São Paulo Symphony Orchestra and Chorus in Psalm XLVII, Op. 38, with Susan Bullock singing the important soprano part. It’s coupled with the composer’s most famous work, La Tragédie de Salomé, Op. 50, along with a comparative rarity, Le Palais hanté, Op. 49, […]
Welcome news in that Florent Schmitt’s Suite for Flute & Orchestra, Opus 129, is receiving its world premiere recording by flautist James Strauss, with Laercio Diniz conducting the Lithuanian National Symphony Orchestra. The Suite was composed in 1954 when Schmitt was 84 years old. It was dedicated to the great French flautist Jean-Pierre Rampal — […]