Florent Schmitt’s Trois danses (1935/39) gets its moment in the sun at last.

After decades of obscurity, suddenly both the piano and orchestral versions of Schmitt’s suite receive new recordings – as well as renewed attention from performers. In the 1930s, Florent Schmitt was arguably at the peak of his creative powers. It was a decade that saw a prodigious amount of music come from the composer’s pen […]

Pianist Clément Canonne talks about his second recording devoted to the solo piano music of Florent Schmitt.

Clément Canonne’s second recording of music by Florent Schmitt encompasses all the solo piano scores created by the composer during the 1930s. One of the most interesting and significant recent recordings of Florent Schmitt’s music features three solo piano compositions dating from the composer’s late-career period (the 1940s and ‘50s). The disc was recorded by […]

A journey into Florent Schmitt’s Symphonie concertante (1932): Conductor Yan Pascal Tortelier analyzes the incredible tour de force for orchestra with piano.

“I’d never before seen a score as mind-blowing as the Symphonie concertante …”  — Yan Pascal Tortelier, Conductor Emeritus, BBC Philharmonic Orchestra In late October 2025, veteran director Yan Pascal Tortelier, joined by the BBC Philharmonic Orchestra of which he is the conductor emeritus, as well as pianist Peter Donohoe, recorded a program for Chandos […]

The making of Yan Pascal Tortelier’s newest Florent Schmitt recording: An eyewitness report from Manchester (October 2025).

“It is one of the most important recordings of my entire career.” — Yan Pascal Tortelier, French conductor In late October 2025, I had the privilege of being invited to Manchester, UK to observe the recording of a program of mid-career orchestral works by Florent Schmitt (composed between 1929 and 1938), featuring the BBC Philharmonic […]

A link with music history: French composer Pierrette Mari’s remembrances of Florent Schmitt during the 1950s.

In a September 2025 interview, the 96-year-old composer shares her recollections of Florent Schmitt and his distinctive personality. In this year of 2025, it is difficult to imagine that there are any musicians alive who’d have had personal interactions with French composer Florent Schmitt. After all, Schmitt passed away in 1958, and nearly seven decades […]

Pianists Genevieve Fei-wen Lee and Brian Hsu talk about preparing and performing Florent Schmitt’s Trois rapsodies (1903-04).

On August 17, 2025 two of Florent Schmitt’s Trois rapsodies, Op. 53 – Polonaise and Viennoise – were presented in concert at Garth Newel Music Center in Hot Springs, Virginia by duo-pianists Genevieve Fei-wen Lee and Brian Hsu. The performance was part of Garth Newel’s “Piano Weekend” set of two concerts featuring four pianists (Jeannette […]

An 80th Birthday Tribute to Florent Schmitt

The town of Saint-Cloud honored its longtime resident Florent Schmitt on the occasion of his 80th birthday, presenting a gala concert featuring his recent compositions. When Florent Schmitt turned eighty years old on September 28, 1950, he was the most prominent French composer of his generation who was still active creatively. To be sure, there […]

Just released: A brilliant new recording featuring late-career piano music by Florent Schmitt.

The new release on the Urborigène Records label, performed by French pianist Clément Canonne, includes two world premiere recordings plus an unpublished 1950 piano sonata that later became the wind composition Chants alizés. Music-lovers who are familiar with the music of Florent Schmitt know that a significant number of his compositions were written for the […]

Prélude … pour une suite à venir (1948) and Songe (1938-42): Two worthy piano miniatures that stand apart from the “official” catalogue of Florent Schmitt’s compositions.

The catalogue of Florent Schmitt’s compositions is extensive, consisting of some 138 opus-numbered items (actually, two numbers weren’t used by the composer — including Op. 111, omitted in deference to Beethoven’s 32nd Piano Sonata). But there’s more. Going beyond the “official” catalogue, we find a number of additional items. Chief among them are Schmitt’s first […]

“A forlorn sky, a low horizon and the slow, monotonous falling of snow”: Florent Schmitt’s Ballade de la neige (1896).

In 2021, the NAXOS label’s Grand Piano imprint issued a CD featuring solo piano music of Florent Schmitt performed by Biljana Urban. This Paris-trained pianist. now living in Amsterdam, has a particular appreciation for the piano music of French composers from the late nineteenth and early twentieth centuries – Florent Schmitt included. (Click here to […]

French pianist Tristan Raës talks about his musical journey with Florent Schmitt, and the pathfinding recording efforts of his father, Alain Raës.

Alain made important first recordings of French piano scores by Florent Schmitt, while Tristan is exploring the composer’s sumptuous early-career mélodies. Recently a multi-country recital tour was announced featuring tenor Cyrille Dubois and pianist Tristan Raës, in which mélodies by the composer Gabriel Fauré and several of his students would be performed. I was pleased […]

French pianist Clément Canonne talks about discovering and recording the late-career solo piano compositions of Florent Schmitt.

His soon-to-be-released album includes two premiere recordings plus an unpublished 1950 piano sonata that later became the wind composition Chants alizés. A new recording of piano works by Florent Schmitt is scheduled for release in late 2024 – one that’s particularly important in that its focus will be on late-career compositions that have never been […]

American pianist Matthew Bengtson talks about discovering and performing Trois danses (1934-35), Florent Schmitt’s captivating exploration of the dancing spirit.

In September and October 2023, American pianist Matthew Bengtson performed three recitals in which he introduced a selection that was new to his repertoire: Florent Schmitt’s Trois danses, Op. 86. Composed in 1934-35, the piece is a relatively late work among the voluminous quantity of piano music that Schmitt created for piano solo, duet and […]

Pianist Tomoki Sakata talks about performing Florent Schmitt’s brilliant orchestral showpiece Symphonie concertante (1932) with Yan Pascal Tortelier in Tokyo.

This past Valentine’s Day (February 14, 2023), the young Japanese pianist Tomoki Sakata presented Florent Schmitt’s complex, über-brilliant Symphonie concertante, Op. 82 with the Tokyo Metropolitan Symphony Orchestra under the direction of veteran French conductor Yan Pascal Tortelier. The concert marked the first time this music had been performed anywhere in the world since the […]

Florent Schmitt’s earliest keyboard music: Trois préludes for piano (1891-95).

Over the past decade or more, Florent Schmitt’s music written for solo and duo-pianists has appeared on commercial recordings with ever-increasing frequency. Among them are several premiere recordings of the composer’s scores for two piano players as offered up by the Invencia Piano Duo (released in 2012-13 on a series of four CDs on NAXOS’ […]