Exploring dance forms down through the ages: Florent Schmitt’s Trois danses (1935).

Florent Schmitt’s two instruments were the flute and the piano. Arguably the piano was the one he preferred most — at least based on the quantity of music he created — for within the catalogue of Schmitt’s compositions are vast swaths of music written for the piano solo, piano duet and duo. The large majority of these […]

Enfants (1940): Florent Schmitt’s evocation of the world of childhood.

During his lengthy career, the French composer Florent Schmitt would periodically turn to the subject of children for musical inspiration – often involving pieces written for piano. In the early 1900s Schmitt composed four collections of piano duets featuring easy primo parts for young pupils. Sur cinq notes (1906); Trois pièces récréatives (1907); Huit courtes pieces […]

French pianist Bruno Belthoise talks about keeping Florent Schmitt’s Une semaine du petit elfe Ferme-l’oeil (1912) part of his performing repertoire over the years.

In 2013, one of the earliest interviews I conducted for the Florent Schmitt Website + Blog was with the French pianist Bruno Belthoise.  I had discovered him from YouTube, where several movements of Florent Schmitt’s piano four-hand suite Une semaine du petit elfe Ferme-l’oeil, Opus 58 had been uploaded from a performance he gave at the […]

The Grand Piano label announces the release of a specially priced 4-CD set of Florent Schmitt’s complete original works for piano duet and duo (1899-1916) performed by the Invencia Piano Duo.

Available in mid-January 2017, the boxed set includes all 14 compositions first released in 2012-13 … now at a special price of four CDs for the price of two. Several years ago, the Grand Piano label issued a series of four CDs that together make up the complete original works for piano duet and duo by […]

Julien Columeau, noted French novelist in the Urdu language, talks about the music of Florent Schmitt and how it inspires his writing.

“I’ve learned a good deal in terms of structure by listening to classical music — and particularly to music created by a person like Florent Schmitt.  In fact, I think that a well-structured text, including a share of the predictable and unpredictable, should be modeled on a piece of Schmitt’s music!” — Julien Columeau, novelist […]

Members of the Garth Newel Piano Quartet talk about preparing Florent Schmitt’s Hasards (1943) for performance.

In April 2016, the Garth Newel Piano Quartet presented Florent Schmitt’s piano quartet Hasards, Op. 96 as part of a chamber music program of French music that also included compositions by Ernest Chausson and Maurice Ravel. I was fortunate enough to attend this concert, played in the aesthetically and acoustically pleasing Herter Hall, a former […]

In Memoriam: Florent Schmitt’s tribute to his teacher and mentor Gabriel Fauré (1922-35).

During his time as a student at the Paris Conservatoire, Florent Schmitt had his share of esteemed teachers including Jules Massenet, Théodore Dubois, André Gédalge and Albert Lavignac. But Gabriel Fauré, who along with Massenet were Schmitt’s two instructors in composition, was his favorite teacher and also arguably the most influential one. Time and again, we can hear […]