Recently, several photos were uploaded to Twitter that had been taken at a social event in Paris celebrating the release of the first-ever commercial recording of Florent Schmitt’s stunning choral composition Psaume XLVII. Held in February 1953 at Pathé-Marconi headquarters, the release event was attended by tout Paris – at least in terms of the […]
Category Archives: Vocal Music
Throughout his extraordinarily long and productive life, the French composer Florent Schmitt would return again and again to the human voice. His earliest catalogued compositions dating from the 1880s were various mélodies, and his final work was the Messe en quatres parties for mixed chorus and organ, completed just a few months before his death […]
The 2020 NAXOS recording, completed just days before the COVID pandemic shuttered classical music performances across the globe, includes two colorful ballet scores along with two world premieres. Since its November 2020 release during Florent Schmitt’s 150th birthday anniversary year, the NAXOS recording of four orchestral works by the Buffalo Philharmonic Orchestra under its music […]
Recently, two documents have emerged that point to the existence of a long-forgotten grouping of Florent Schmitt’s mélodies that can stand alongside the song cycles of fellow-French composers Henri Duparc, Claude Debussy, Maurice Ravel, Maurice Delage and Louis Aubert. The grouping of Florent Schmitt mélodies carries the umbrella title “Poèmes des lacs,” and some details […]
Recently, audio documentation one of Florent Schmitt’s most interesting (and elusive) choral compositions has emerged – and it’s come from an unlikely source. It is a 1987 live performance of Schmitt’s Le Chant de la nuit, Op. 120, a work that carries the subtitle Ode à Frédéric Chopin. The performance is by the Chiba University […]
The new NAXOS release features two iconic ballet suites along with two world premiere recordings. Back in 2015, a recording of the music of Florent Schmitt on the NAXOS label, performed by the Buffalo Philharmonic Orchestra and its music director, JoAnn Falletta, was a noteworthy artistic and commercial success. Today, these same musical forces are […]
French composers of the period really knew how to write vocal music. Composers like Ravel, Debussy and Florent Schmitt were taught how to write for the human voice. — Karina Gauvin, Canadian Soprano How can one composer be so gifted at so much? — JoAnn Falletta, American Orchestra Conductor When one looks at the extensive […]
In May 1924, a new edition of the French magazine La Revue musicale hit the newsstands — one that was devoted to the artistic legacy of Pierre de Ronsard, among the most celebrated poets in all of French literary history. The brainchild of Henry Prunières, founder and editorial guiding light of the magazine, the May […]
“It’s as though someone said to you: ‘Throw yourself from a fourth floor window — and mind you, fall gracefully.’” — Claire Croiza, French soprano Considering that 2020 marks the 150th birthday anniversary of French composer Florent Schmitt, who lived from 1870 to 1958, it isn’t surprising that the milestone would be marked by the […]
In early March 2020, I had the opportunity to attend what turned out to be the very last public performances of Florent Schmitt’s orchestral before the Coronavirus pandemic effectively shut down classical concerts across the globe. Those concerts, presented by the Buffalo Philharmonic Orchestra under the direction of JoAnn Falletta, were noteworthy not only because the […]
“What I find most astonishing about this piece is the fact that such heightened intensity and élan is achieved in record time … Florent Schmitt packs in the musical imagery required to make us imagine in our minds — and feel in our bodies — the dancing rites and rituals of the Devadasis. He makes […]
Funding from Florent Schmitt aficionados around the world is being sought to help underwrite the project. As we embark on the 150th birthday anniversary year of Florent Schmitt, who was born in 1870, it is particularly gratifying to discover that this milestone is being recognized in increased programming of Schmitt’s music in Europe, North America, […]
Many music-lovers I know are under the mistaken impression that Florent Schmitt’s Symphony No. 2, Op. 137 was the last piece the composer created. It’s a reasonable supposition because the Symphony received its premiere performance in Strasbourg on June 15, 1958, by the French National Radio Orchestra under the direction of Charles Munch, just two […]
On May 29, 2019, the Orchestre Symphonique de Quebéc and its chorus presented the orchestra’s final concert of the season – one that featured French music exclusively. The event was a red-carpet affair at the Grand-Théâtre in Québec City in which local dignitaries were invited guests of the orchestra. Also noteworthy was the centerpiece of […]
The French composer Florent Schmitt was known for creating multiple versions of many of his compositions. Throughout his lengthy career, time and again the composer would produce additional arrangements of his works featuring different sets of instruments. To illustrate, many of Schmitt’s orchestral works were also published in piano reduction scores (solo, duet and/or piano […]