Budding originality: Florent Schmitt’s Trois mélodies for voice and piano (1892-95).

On Thursday, March 17, 1894, the 239th concert of the Société nationale de musique was presented at the Salle Érard in Paris. It was the first time a piece composed by Florent Schmitt had appeared on any Parisian music program. Among the two mélodies by Schmitt presented that evening by contralto Nelly Guénia was one […]