Reminiscing with American soprano Audrey Stottler about presenting Florent Schmitt’s Psalm 47 (1904) at the Washington National Cathedral

The dramatic soprano, famous across the world for her Turandot and other signature operatic roles, sang the rapturous solo part in Florent Schmitt’s stunning choral work Psaume XLVII in 2001. Ask anyone who has attended a performance of Florent Schmitt’s exhilarating choral masterpiece Psaume XLVII, Op. 38, and they’ll tell you how impactful the piece is when heard live. […]

Fascinating, complex sonorities: Florent Schmitt’s String Trio (1944).

“So dense, so many notes, so many double-stops. So hard to play in tune together, so tricky to balance and to make it sound natural.  But what special notes they are!”    — Michiel Weidner, Prisma String Trio In the latter part of his career, the French composer Florent Schmitt turned his attention to musical […]

Enfants (1940): Florent Schmitt’s evocation of the world of childhood.

During his lengthy career, the French composer Florent Schmitt would periodically turn to the subject of children for musical inspiration – often involving pieces written for piano. In the early 1900s Schmitt composed four collections of piano duets featuring easy primo parts for young pupils. Sur cinq notes (1906); Trois pièces récréatives (1907); Huit courtes pieces […]

French pianist Bruno Belthoise talks about keeping Florent Schmitt’s Une semaine du petit elfe Ferme-l’oeil (1912) part of his performing repertoire over the years.

In 2013, one of the earliest interviews I conducted for the Florent Schmitt Website + Blog was with the French pianist Bruno Belthoise.  I had discovered him from YouTube, where several movements of Florent Schmitt’s piano four-hand suite Une semaine du petit elfe Ferme-l’oeil, Opus 58 had been uploaded from a performance he gave at the […]

Finnish composer and music journalist Osmo Tapio Räihälä shares his experience of visiting the gravesite of Florent Schmitt in Paris (November 2017).

Osmo Tapio Räihälä is one of Finland’s better-known composers of today. He has created music in many forms, from vocal and chamber pieces to large orchestral works. Mr. Räihälä’s highly active career includes fulfilling numerous composition commissions.  His works have been performed by important European orchestras and ensembles, interpreted by leading artists such as the […]

Music critic Rob Barnett talks about the music of Florent Schmitt and its growing presence on recordings.

Recently, the online magazine MusicWeb International published a feature article about the French recording label Timpani Records and its commitment to bringing out recordings of the music of Florent Schmitt. Encompassing a range of works including solo piano, chamber music, vocal and orchestral selections, this enterprising label has released six recordings devoted exclusively to Schmitt’s compositions — including several […]

Music critics at France-Musique evaluate current recordings of Florent Schmitt’s ballet La Tragédie de Salomé (1907/10).

Their designation of Paul Paray’s classic reading with the Detroit Symphony Orchestra as the best overall recording is echoed by France-Musique’s listener audience. As part of its popular broadcast series La Tribune des critiques de disques, in October 2017 the French national public radio channel France-Musique aired a two-hour program in which a roundtable panel of eminent […]