Music critics at France-Musique evaluate current recordings of Florent Schmitt’s ballet La Tragédie de Salomé (1907/10).

Their designation of Paul Paray’s classic reading with the Detroit Symphony Orchestra as the best overall recording is echoed by France-Musique’s listener audience. As part of its popular broadcast series La Tribune des critiques de disques, in October 2017 the French national public radio channel France-Musique aired a two-hour program in which a roundtable panel of eminent […]

Experiencing Florent Schmitt’s Symphony No. 2 (1957) in concert: An eyewitness report from London.

On October 27, 2017, Sakari Oramo and the BBC Symphony Orchestra presented Florent Schmitt’s Symphony No. 2, Opus 137 — the composer’s final orchestral work, which was completed in 1957 when Schmitt was 87 years old. This performance at the Barbican in London was the first time the Symphony No. 2 had been presented in concert […]

A rare live interview with French composer Florent Schmitt, conducted by Georges Charbonnier (1954).

Cliquez ici pour écouter l’interview de Schmitt/Charbonnier sur YouTube. For readers of the Florent Schmitt Website + Blog, we are pleased to provide a link to a rare taped interview of the composer, done in 1954 when Schmitt was 84 years old. The interview was conducted by Georges Charbonnier, an important executive producer at the French […]

Habeyssée (1947): Florent Schmitt’s rich and colorful suite for violin.

Even though he is justly famous for his highly colorful and opulent orchestrations, Florent Schmitt’s own instrument was the piano. And in his early years, much of what he composed were vast swaths of music for piano, as well as for voice with piano. But roughly contemporaneous with his tenure at the Villa Medici in Rome (1900-04), […]

Arts critic Steven Kruger talks about the music of Florent Schmitt and its place in France’s “Golden Age” of classical music.

One of my favorite critics on the international classical music scene today is Steven Kruger, who is a reviewer for New York Arts and Fanfare magazine.  What is particularly special is Kruger’s way of tying his music criticism to broader cultural and artistic undercurrents, often making fresh and novel connections that go unnoticed by others. […]

Substance as well as style: The Quartet for Strings (1948) of Florent Schmitt.

During the extraordinarily long musical career of Florent Schmitt — which spanned 70 years from the late 1880s to the late 1950s — the composer created works for many combinations of instruments. Early on, there were vast swaths of piano music. Then came the sumptuous orchestral creations between 1900 and the onset of World War […]

French conductor Fabien Gabel talks about Florent Schmitt’s Le Palais hanté (1904) and leading The Cleveland Orchestra in its first performance of this Poe-inspired tone picture.

  On August 19, 2017, French conductor Fabien Gabel led The Cleveland Orchestra in a concert of mainly French music at the Blossom Music Center, the orchestra’s summer home. Not only is Maestro Gabel a tireless advocate for the music of his native country wherever he conducts around the world, the artistry of Florent Schmitt is […]