On the occasion of Florent Schmitt’s 150th birthday anniversary, Crescendo magazine publishes an interview article about the composer and his consequential artistic legacy.

As many readers of the Florent Schmitt Website + Blog are undoubtedly aware, 2020 marks the 150th birthday anniversary year for French composer Florent Schmitt.  During the course of this year, many concerts of Schmitt’s music had been scheduled — alas, too many of them having to be canceled or postponed in the wake of […]

Scottish composer Alistair Hinton talks about the influential artistry of Florent Schmitt.

“Florent Schmitt’s artistic legacy is of such importance that his work deserves all the exposure it can get. Once it has done so, it’s no exaggeration to say that the history of French music in the 20th century will have been rewritten.” — Alistair Hinton, composer and music scholar One of Florent Schmitt’s most ardent […]

Giving vibrant voice to powerful poetry: Florent Schmitt’s Trois Chants (1943).

French composers of the period really knew how to write vocal music.  Composers like Ravel, Debussy and Florent Schmitt were taught how to write for the human voice. — Karina Gauvin, Canadian Soprano How can one composer be so gifted at so much? — JoAnn Falletta, American Orchestra Conductor When one looks at the extensive […]

Now available: A book featuring French painter Mathieu Cherkit’s artistic creations inspired by Florent Schmitt’s longtime home in St-Cloud.

In 2018, an article was published on the Florent Schmitt Website + Blog about the French painter Mathieu Cherkit.  One of the bright stars of France’s younger generation of artists, Cherkit’s work is notable not only for its neo-primitive style that also suggests Fauvist influences, but also because of the inspiration that lies behind many […]

Deux pièces (1911), Florent Schmitt’s strikingly original chromatic harp composition, gets a new lease on life.

Florent Schmitt’s three instruments were the piano, organ and flute. But during his lengthy career as a composer he would write music featuring nearly every instrument of the orchestra — including several pieces for the harp. More specifically, Schmitt wrote for the chromatic harp. In this regard, the composer was following the same path as […]

Florent Schmitt looks to the France of antiquity: Quatre poèmes de Ronsard (1941).

In May 1924, a new edition of the French magazine La Revue musicale hit the newsstands — one that was devoted to the artistic legacy of Pierre de Ronsard, among the most celebrated poets in all of French literary history. The brainchild of Henry Prunières, founder and editorial guiding light of the magazine, the May […]

Just Announced: Prisma String Trio to make a new recording of Florent Schmitt’s extraordinary Trio a cordes (1944).

It will be just the third time the work has been commercially recorded — and the first one in more than three decades. Among French composer Florent Schmitt’s extensive chamber music creations are a string trio and string quartet that he composed during the waning days of World War II and immediately following. It was […]

Florent Schmitt takes a breather: Petites musiques for solo piano (1906).

Within the extensive catalogue of compositions by Florent Schmitt are a great many works for piano – including solo, duet and duo-pianist pieces. Most of this output dates from the composer’s early years of creativity from about 1890 to the mid-1920s, although several additional sets of solo piano pieces would be published in the runup […]

Five important compositions of Florent Schmitt to be featured in the upcoming 2020-21 concert season by orchestras in Duluth, Houston, Indianapolis, London, Lucerne, Osaka, Paris, Québec City, Rochefort, St. Louis, Saratoga Springs, Strasbourg and Tokyo.

In a classical music world turned upside down by the COVID-19 pandemic, orchestras are bravely stepping forward in the 2020-21 concert season to commemorate French composer Florent Schmitt’s 150th birthday anniversary. The international Bachtrack website is in the process of uploading its global database of classical music programs for the coming season. Although it doesn’t […]

Austrian conductor Gottfried Rabl talks about preparing and presenting the 2020 Romanian premiere performance of Florent Schmitt’s blockbuster choral composition Psalm 47 (1904).

In early March 2020, I had the opportunity to attend what turned out to be the very last public performances of Florent Schmitt’s orchestral before the Coronavirus pandemic effectively shut down classical concerts across the globe. Those concerts, presented by the Buffalo Philharmonic Orchestra under the direction of JoAnn Falletta, were noteworthy not only because the […]

Florent Schmitt and Heitor Villa-Lobos: An enduring friendship anchored in music.

Throughout his lengthy career, the French composer Florent Schmitt maintained personal friendships with many of his counterparts.  He was at the center of musical life in Paris, having particularly close relationships with Maurice Ravel, Albert Roussel, Gabriel Pierné, Paul Dukas, Gabriel Fauré, and numerous other French composers, in addition to helping the careers of younger […]

Danse des Devadasis (1908): Florent Schmitt’s masterful evocation of the temple dancers of South India.

“What I find most astonishing about this piece is the fact that such heightened intensity and élan is achieved in record time … Florent Schmitt packs in the musical imagery required to make us imagine in our minds — and feel in our bodies — the dancing rites and rituals of the Devadasis. He makes […]

Pièces romantiques (1900-08): Florent Schmitt’s “transitional” suite for solo piano.

Throughout his lengthy creative career which spanned more than seven decades from the 1890s to the 1950s, the French composer Florent Schmitt would create vast swaths of piano music. For a composer who possessed considerable pianistic talents of his own, it seems completely fitting that he would do so — and predictably, many of the […]

Late bloomer? Florent Schmitt’s La Tragédie de Salomé (1907/10) is now making a splash with regional orchestras and student ensembles.

Of Florent Schmitt’s major compositions, undoubtedly the one that has achieved the greatest fame over the decades is the ballet La Tragédie de Salomé, which Schmitt created for the dancer Loïe Fuller who presented the hour-long “mimed drama” at the Théâtre des Arts (now the Théâtre Hébertot) in Paris in 1907. That original version of La […]

Canadian pianist Linda Ippolito talks about discovering and performing Pupazzi (1907), Florent Schmitt’s whimsical tribute to Commedia dell’Arte characters.

Over the past 20 years, the vast majority of Florent Schmitt’s music for piano solo has been rediscovered by a new generation of music-lovers. Moreover, nearly all of this music has been commercially recorded at least one time. However, one piano composition, Pupazzi, Opus 36 (Puppets), hasn’t been part of the revival, and the work […]