Eight important compositions of Florent Schmitt to be featured in the upcoming 2021-22 concert season by orchestras in Detroit, Hamburg, Kyoto, Malmö, Osnabrück, Paris, Saratoga Springs, Tokyo and Toulouse.

In a classical music world finally emerging from the COVID-19 crisis, orchestras are beginning again to program “large orchestra” works that had been embargoed due to social distancing requirements. It bodes well for French composer Florent Schmitt’s big, highly colorful scores. The year 2020 was one of several important anniversaries for classical music composers.  The […]

Simplicity meets virtuosity: Florent Schmitt’s a cappella vocal masterpiece En bonnes voix (1938).

Throughout his extraordinarily long and productive life, the French composer Florent Schmitt would return again and again to the human voice.  His earliest catalogued compositions dating from the 1880s were various mélodies, and his final work was the Messe en quatres parties for mixed chorus and organ, completed just a few months before his death […]

Members of the Prisma String Trio talk about preparing, performing and recording Florent Schmitt’s endlessly fascinating Trio à cordes (1944).

It was a dream come true for the three Prisma musicians, who prepared for nearly a decade before venturing into the recording hall to document their interpretation of Florent Schmitt’s stunning creation: “a string trio with sextet ambitions.”  Music-lovers who are familiar with Florent Schmitt’s artistry are most likely to know his big orchestral compositions, […]

Albert Gleizes, Florent Schmitt, and Le Chant de guerre (1914-15).

The pioneering Cubist artist and the forward-looking composer — kindred spirits in their disdain for the “conventional” in the arts — are forever linked by an iconic painting. In 2012, the French postal service issued a stamp portraying a 1915 painting by the French Cubist artist, theoretician and philosopher Albert Gleizes titled Le Chant de […]

Musicians of the Jena Philharmonic Orchestra talk about discovering Florent Schmitt’s Quartet for Trombones and Tuba (1946) and preparing it for performance.

Late last year, several clips quietly appeared on Facebook — each of them featuring a movement from Florent Schmitt’s Quartet for Trombones and Tuba, Opus 109, a fascinating piece that the composer created in 1946. This quartet is a composition that, despite its creativity and inventiveness, remains one of the least-known of Schmitt’s scores.  Indeed, […]

JoAnn Falletta’s Buffalo Philharmonic recording of Florent Schmitt’s orchestral music wins the prestigious Diapason d’Or.

The 2020 NAXOS recording, completed just days before the COVID pandemic shuttered classical music performances across the globe, includes two colorful ballet scores along with two world premieres. Since its November 2020 release during Florent Schmitt’s 150th birthday anniversary year, the NAXOS recording of four orchestral works by the Buffalo Philharmonic Orchestra under its music […]

In a concert season upended by COVID-19, Florent Schmitt’s original scoring of La Tragédie de Salomé (1907) gets its moment in the sun at last.

The 2020-21 season includes performances of the small-orchestra version in Japan, Germany and France. As is so well-known to music-lovers everywhere, the COVID-19 pandemic has wreaked havoc on concert-going the world over.  For too many orchestras and chamber ensembles, the entire 2020-21 season has been a total bust — or at the very least, upended […]

Just released: A new recording of four Florent Schmitt orchestral works with JoAnn Falletta and the Buffalo Philharmonic Orchestra.

The new NAXOS release features two iconic ballet suites along with two world premiere recordings. Back in 2015, a recording of the music of Florent Schmitt on the NAXOS label, performed by the Buffalo Philharmonic Orchestra and its music director, JoAnn Falletta, was a noteworthy artistic and commercial success.  Today, these same musical forces are […]

Florent Schmitt is featured as BBC Music Magazine‘s Composer of the Month in its September 2020 issue.

Composer of the Month designation coincides with the commemoration of Schmitt’s 150th birthday anniversary. BBC Music Magazine has honored French composer Florent Schmitt as its Composer of the Month for September, 2020.  The coverage coincides with activities commemorating the 150th birthday anniversary of the composer, who was born in Blamont, Lorraine on September 28, 1870. […]

On the occasion of Florent Schmitt’s 150th birthday anniversary, Crescendo magazine publishes an interview article about the composer and his consequential artistic legacy.

As many readers of the Florent Schmitt Website + Blog are undoubtedly aware, 2020 marks the 150th birthday anniversary year for French composer Florent Schmitt.  During the course of this year, many concerts of Schmitt’s music had been scheduled — alas, too many of them having to be canceled or postponed in the wake of […]

Scottish composer Alistair Hinton talks about the influential artistry of Florent Schmitt.

“Florent Schmitt’s artistic legacy is of such importance that his work deserves all the exposure it can get. Once it has done so, it’s no exaggeration to say that the history of French music in the 20th century will have been rewritten.” — Alistair Hinton, composer and music scholar One of Florent Schmitt’s most ardent […]

Giving vibrant voice to powerful poetry: Florent Schmitt’s Trois Chants (1943).

French composers of the period really knew how to write vocal music.  Composers like Ravel, Debussy and Florent Schmitt were taught how to write for the human voice. — Karina Gauvin, Canadian Soprano How can one composer be so gifted at so much? — JoAnn Falletta, American Orchestra Conductor When one looks at the extensive […]

Now available: A book featuring French painter Mathieu Cherkit’s artistic creations inspired by Florent Schmitt’s longtime home in St-Cloud.

In 2018, an article was published on the Florent Schmitt Website + Blog about the French painter Mathieu Cherkit.  One of the bright stars of France’s younger generation of artists, Cherkit’s work is notable not only for its neo-primitive style that also suggests Fauvist influences, but also because of the inspiration that lies behind many […]

Deux pièces (1911), Florent Schmitt’s strikingly original chromatic harp composition, gets a new lease on life.

Florent Schmitt’s three instruments were the piano, organ and flute. But during his lengthy career as a composer he would write music featuring nearly every instrument of the orchestra — including several pieces for the harp. More specifically, Schmitt wrote for the chromatic harp. In this regard, the composer was following the same path as […]

Florent Schmitt looks to the France of antiquity: Quatre poèmes de Ronsard (1941).

In May 1924, a new edition of the French magazine La Revue musicale hit the newsstands — one that was devoted to the artistic legacy of Pierre de Ronsard, among the most celebrated poets in all of French literary history. The brainchild of Henry Prunières, founder and editorial guiding light of the magazine, the May […]