Budding originality: Florent Schmitt’s Trois mélodies for voice and piano (1892-95).

On Thursday, March 17, 1894, the 239th concert of the Société nationale de musique was presented at the Salle Érard in Paris. It was the first time a piece composed by Florent Schmitt had appeared on any Parisian music program. Among the two mélodies by Schmitt presented that evening by contralto Nelly Guénia was one […]

Musiques intimes (1891-1904): Captivating piano miniatures by Florent Schmitt that reveal the composer in his most introspective moods.

Florent Schmitt may be best-known for his opulent orchestral scores, most of which were written in the first three decades of the 20th century. But Schmitt’s compositional career, which spanned more than seven decades beginning in the late 1880s, contains so much more than just those creations. Taking a look at the composer’s extensive catalogue — […]