Florent Schmitt and the piano collection à l’Exposition: Musical vignettes of the Paris Exposition of 1937 (La Retardée).

For students of history, the International Exposition of Art and Technology in Modern Life — colloquially known as the Paris Exposition of 1937 — is one of those events that’s been the subject of much sociological dissection, seeing as how it was the last great transnational gathering held on the European continent prior to the […]

Musiques intimes (1891-1904): Captivating piano miniatures by Florent Schmitt that reveal the composer in his most introspective moods.

Florent Schmitt may be best-known for his opulent orchestral scores, most of which were written in the first three decades of the 20th century. But Schmitt’s compositional career, which spanned more than seven decades beginning in the late 1880s, contains so much more than just those creations. Taking a look at the composer’s extensive catalogue — […]

Exploring dance forms down through the ages: Florent Schmitt’s Trois danses (1935).

Florent Schmitt’s two instruments were the flute and the piano. Arguably the piano was the one he preferred most — at least based on the quantity of music he created — for within the catalogue of Schmitt’s compositions are vast swaths of music written for the piano solo, piano duet and duo. The large majority of these […]

Spirit of the Dance: Florent Schmitt’s Suite sans esprit de suite (1937-38)

In the last two decades of his long life and extensive musical career, the composer Florent Schmitt would devote much of his energies to creating instrumental music and pieces for voice and choir. Indeed, by and large Schmitt’s later-career output eschewed the full orchestra — with a number of notable exceptions, among them the Introït, récit et congé […]