Florent Schmitt

A website and blog that celebrates the highly individualistic music of the fascinating French composer Florent Schmitt (1870-1958) — as well as the scholars and musicians who study and perform his works.

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Monthly Archives: March 2014

“Pure Music Masterpiece”: Florent Schmitt’s Sonate libre for Violin and Piano (1918-19).

March 16, 2014 · by Phillip Nones | in Chamber Music, Classical Music, Composers, French Composers, Uncategorized | tagged Aide aux musiciens mobilises, Alfred Kalisch, Alphonse Onnou, Andre Salomon, Andrew Thomson, Anne Le Bozec, Beata Halska, Benoit Duteurtre, Chamber Music, Charles C. Cushing, Clarence Lucas, Classical Music, Claudio Chaiquin, David Riley, Desire Defauw, Edwin Evans, Florent Schmitt, French Composers, Georges Clemenceau, Ginette Doyen, Gustave Tinlot, Helene Collerette, Henri Dutilleux, Henri Gil-Marchex, Hortense de Sampigny, Huseyin Sermet, Ilona Then-Bergh, Jascha Veissl, Jean Fournier, John McLaughlin Williams, Jonathan Woolf, Maggy Breittmayer, Marguerite Roesgen, Messiaen, Michael Schafer, MusicWeb, Nones, Regis Benoit, Robert Brussel, Roland-Manuel, Schmitt, Sonata libre, Violin Sonata, Walter Willson Cobbett | 1 Comment

Within Florent Schmitt’s musical output are a half-dozen works that feature the violin.  Perhaps the most significant of them is his Sonate libre, Op. 68, a work he composed in 1918-19 at Artiguemy, his country retreat in the Hautes-Pyrenees. The formal title of the music is a real mouthful:  Sonate libre en deux parties enchaînées, ad modem Clementis […]

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Recent Posts

  • A journey into Florent Schmitt’s Symphonie concertante (1932): Conductor Yan Pascal Tortelier analyzes the incredible tour de force for orchestra with piano. January 1, 2026
  • “Keenly alert features, a sharp eye — more like a banker or statesman than a musician”: American critic and Musical Courier editor-in-chief Leonard Liebling meets with Florent Schmitt in Paris (1932). December 1, 2025
  • The making of Yan Pascal Tortelier’s newest Florent Schmitt recording: An eyewitness report from Manchester (October 2025). November 6, 2025
  • A link with music history: French composer Pierrette Mari’s remembrances of Florent Schmitt during the 1950s. November 1, 2025
  • Experiencing Florent Schmitt’s Psalm 47 (1904) in concert: An eyewitness report from Houston (September 2025). October 1, 2025
  • Pianists Genevieve Fei-wen Lee and Brian Hsu talk about preparing and performing Florent Schmitt’s Trois rapsodies (1903-04). September 1, 2025

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Top Posts & Pages

  • Pianist and musicologist Frank Cooper talks about discovering Florent Schmitt's Trois rapsodies (1903-4) and preparing a pioneering recital performance of the piece with Martin Marks in 1967.
    Pianist and musicologist Frank Cooper talks about discovering Florent Schmitt's Trois rapsodies (1903-4) and preparing a pioneering recital performance of the piece with Martin Marks in 1967.
  • In the cross-currents of history:   An interview with musician and author Alberto Nones about the life and work of Italian composer Riccardo Zandonai.
    In the cross-currents of history: An interview with musician and author Alberto Nones about the life and work of Italian composer Riccardo Zandonai.
  • From clamorous outsider to consummate insider:  Florent Schmitt's consequential involvement with Parisian artistic organizations (Société des Apaches, Société musicale indépendante, Société nationale de musique, Association de musique contemporaine).
    From clamorous outsider to consummate insider: Florent Schmitt's consequential involvement with Parisian artistic organizations (Société des Apaches, Société musicale indépendante, Société nationale de musique, Association de musique contemporaine).
  • Florent Schmitt and the Prix de Rome:  1900-1904 (Musiques de plein air; Le Palais hanté; Psaume XLVII)
    Florent Schmitt and the Prix de Rome: 1900-1904 (Musiques de plein air; Le Palais hanté; Psaume XLVII)
  • Musicians Edward Rushton, Guillaume Le Dréau and JoAnn Falletta talk about Florent Schmitt's captivating Chansons à quatre voix (1903-05).
    Musicians Edward Rushton, Guillaume Le Dréau and JoAnn Falletta talk about Florent Schmitt's captivating Chansons à quatre voix (1903-05).
  • American cellist Elisa Kohanski talks about Florent Schmitt's Chant élégiaque (1899-1903) and its debt to Gabriel Fauré's Élégie.
    American cellist Elisa Kohanski talks about Florent Schmitt's Chant élégiaque (1899-1903) and its debt to Gabriel Fauré's Élégie.
  • Clavecin obtempérant (1945), Florent Schmitt's endlessly fascinating harpsichord suite created for Marcelle de Lacour.
    Clavecin obtempérant (1945), Florent Schmitt's endlessly fascinating harpsichord suite created for Marcelle de Lacour.
  • Hymne à l'eté:  Florent Schmitt's deliriously ecstatic a cappella choral composition for eight-part mixed choir and soloists (1913).
    Hymne à l'eté: Florent Schmitt's deliriously ecstatic a cappella choral composition for eight-part mixed choir and soloists (1913).
  • The Author of the Florent Schmitt Website + Blog: Phillip Nones
    The Author of the Florent Schmitt Website + Blog: Phillip Nones
  • French-American conductor David Grandis talks about discovering the music of French composer Max d'Ollone and championing his repertoire in the concert hall.
    French-American conductor David Grandis talks about discovering the music of French composer Max d'Ollone and championing his repertoire in the concert hall.
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