Fascinating, complex sonorities: Florent Schmitt’s String Trio (1944).

“So dense, so many notes, so many double-stops. So hard to play in tune together, so tricky to balance and to make it sound natural.  But what special notes they are!”    — Michiel Weidner, Prisma String Trio In the latter part of his career, the French composer Florent Schmitt turned his attention to musical […]

World-premiere recording featuring Florent Schmitt’s works for violin and piano to be released by NAXOS this month (May 2015).

The NAXOS family of labels (NAXOS, Marco Polo, Grand Piano, etc.) has been one of the most active in bringing the music of Florent Schmitt to the microphones.  In fact, its catalogue of Schmitt compositions includes numerous world premiere commercial recordings. And this month, NAXOS is doing it again with the release of a new […]

American violinist John McLaughlin Williams talks about the music of Florent Schmitt and the Sonate libre (1918-19).

“In the 20th century, France was unusually blessed with composers who can be called ‘great’ without question or compromise. It’s arguable that they could be listed with a certain linearity. Debussy, Schmitt, Ravel, Messiaen, Dutilleux; when I think of their music it seems clear to me that they were listening to each other, and those […]

“Pure Music Masterpiece”: Florent Schmitt’s Sonate libre for Violin and Piano (1918-19).

Within Florent Schmitt’s musical output are a half-dozen works that feature the violin.  Perhaps the most significant of them is his Sonate libre, Op. 68, a work he composed in 1918-19 at Artiguemy, his country retreat in the Hautes-Pyrenees. The formal title of the music is a real mouthful:  Sonate libre en deux parties enchaînées, ad modem Clementis […]