These charmers, written for violin or cello soloist, make for perfect recital pieces. Music-lovers who are familiar with Florent Schmitt’s catalogue know that he composed a number of works featuring the violin and cello as solo instruments. Most of the composer’s violin pieces have been gathered together in a fine collection of works including the […]
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On March 6 and 7, 2020, the Buffalo Philharmonic Orchestra under the direction of its music director, JoAnn Falletta, presented Florent Schmitt’s Légende, Op. 66 in concert. However, it wasn’t the customary version for saxophone that the composer had created in 1918, but rather the version prepared several years later that features a solo violin. […]
The NAXOS family of labels (NAXOS, Marco Polo, Grand Piano, etc.) has been one of the most active in bringing the music of Florent Schmitt to the microphones. In fact, its catalogue of Schmitt compositions includes numerous world premiere commercial recordings. And this month, NAXOS is doing it again with the release of a new […]
Within Florent Schmitt’s musical output are a half-dozen works that feature the violin. Perhaps the most significant of them is his Sonate libre, Op. 68, a work he composed in 1918-19 at Artiguemy, his country retreat in the Hautes-Pyrenees. The formal title of the music is a real mouthful: Sonate libre en deux parties enchaînées, ad modem Clementis […]