Pianist Edward Rushton talks about exploring Florent Schmitt’s repertoire of vocal music and preparing it for performance and recording.

Considering that 2020 marks the 150th birthday anniversary of French composer Florent Schmitt, who lived from 1870 to 1958, it isn’t surprising that the milestone would be marked by the release of several new recordings this year that are devoted to the composer’s music. The first of these is a recording devoted to the vocal […]

Andantino (Vocalise): Florent Schmitt’s most versatile composition (1906).

The French composer Florent Schmitt was known for creating multiple versions of many of his compositions. Throughout his lengthy career, time and again the composer would produce additional arrangements of his works featuring different sets of instruments. To illustrate, many of Schmitt’s orchestral works were also published in piano reduction scores (solo, duet and/or piano […]

Musicians Edward Rushton, Guillaume Le Dréau and JoAnn Falletta talk about Florent Schmitt’s captivating Chansons à quatre voix (1903-05).

Throughout his long composing career spanning from the late 1880s to the late 1950s, Florent Schmitt would return again and again to the human voice. While he never composed an opera, he wrote voluminous pages of music in every other form that features solo and mixed voices. Tellingly, the composer’s Opus 1 and his final Opus 138 […]