When Florent Schmitt died in August 1958, fellow composer Henri Dutilleux wrote a memorable epitaph in honor of his older compatriot: “Florent Schmitt was the last of that great family to which Ravel, Dukas, and Roussel belonged. He remains one of them who, by a happy assimilation of German and Central European influences, recalled the […]
Tag Archives: Emile Vuillermoz
The new soundtrack, prepared by Simon Cloquet-Lafollye, includes nearly an hour of music taken from four Florent Schmitt orchestral scores. The epic film Napoléon is rightly viewed as one of the greatest cinematographic feats in motion picture history. And this distinction is even more impressive when we consider that Napoléon was a silent film produced […]
Premiered in May 1940 — mere weeks before the fall of France — the piece was shelved thereafter, with the unpublished score and parts languishing in the archives of the Bibliothèque national de France and Universal/Durand. Within the catalogue of Florent Schmitt’s compositions, there are a significant number of works for orchestra with chorus. Some […]
When Florent Schmitt died in August 1958 at the age of nearly 88 years, his fellow composer Henri Dutilleux penned this memorable epitaph: “Florent Schmitt was the last of that great family to which Ravel, Dukas, and Roussel belonged. He remains one of them who, by a happy assimilation of German and Central European influences, […]
Living and working as he did throughout the entirety of France’s “Golden Age” of classical music, Florent Schmitt was well-acquainted with all of the significant composers of the day in Paris. Among the most famous of them — Achille-Claude Debussy, Maurice Ravel, Albert Roussel and Paul Dukas — the latter three were particularly close friends […]
The elderly composer chaired the jury at the Besançon’s first competition in 1951. These days there’s certainly no dearth of international competitions for young and emerging conductors. No fewer than 30 such events are open to contenders from all over the world. Add in a number of similar competitions that are national rather than international in […]
The French composer Florent Schmitt was known for creating multiple versions of many of his compositions. Throughout his lengthy career, time and again the composer would produce additional arrangements of his works featuring different sets of instruments. To illustrate, many of Schmitt’s orchestral works were also published in piano reduction scores (solo, duet and/or piano […]
Within the catalogue of Florent Schmitt’s compositions are a goodly number of brilliant orchestral showpieces that exploit the colors of the orchestra to the fullest degree. One of the most interesting and effective of these also happens to be one of the shortest — the Ronde burlesque, Opus 78. This piece was composed in 1927 during a time […]
In the century-long period from 1850 to 1950, the Prix de Rome prize for composition was probably the single most important and prestigious recognition for any French composer. And for that reason, nearly every important French composer strove to win it. Offered to students at the Paris Conservatoire, winners of the award were rewarded with a handsome stipend, along with a multi-year stay […]
A living legend today — well into her nineties — the French soprano Denise Duval is a link to France’s glorious musical past. History remembers her as the famous muse to Francis Poulenc, but Duval was also an important interpreter of the music of other significant French composers of the early- and mid-twentieth century — among […]
Throughout classical music history, “omnibus” compositions have been rather rare – and for the most part, they’ve been forgotten shortly after their celebrated premieres. Perhaps the earliest one of these interesting concoctions that has at least remained on the fringes of the repertoire is Hexameron — a morceau de concert put together in the late […]
Maurice Ravel’s Gaspard de la nuit is justly recognized as that composer’s most towering achievement in piano keyboard writing. Composed in 1908, this set of three pieces (Ondine, Le Gibet, Scarbo) which take their inspiration from a book by Aloysius Bertrand, are the most technically demanding and revolutionary of Ravel’s piano works. Far less well-known but equally […]
The Dionysiaques by Florent Schmitt, composed exactly a century ago, is a blockbuster work for concert band that just gets more and more popular with each passing year. I’ve blogged before about how this piece has become a staple of the wind band repertoire – particularly in Japan and Europe, but with more performances happening in the United […]
Around the world today, the news is full of stories about bloated government bureaucracies and the inefficiencies of various public agencies. From France and Italy to the United States, there are persistent calls for governments to become leaner and more effective, beginning with eliminating “waste, fraud and abuse” from various agencies. But this isn’t a […]