Musicologist and conductor César Leal talks about the impresario Gabriel Astruc and his consequential role in Parisian musical and artistic life in the early 1900s.

Not long ago, I compiled a listing of published biographies, other books and dissertations that cover music and the arts in Paris during the time of Florent Schmitt’s career as a composer (roughly the 70-year period from 1890 to 1960).  Among the many documents I discovered, one of the most interesting was one that focused […]

Andantino (Vocalise): Florent Schmitt’s most versatile composition (1906).

The French composer Florent Schmitt was known for creating multiple versions of many of his compositions. Throughout his lengthy career, time and again the composer would produce additional arrangements of his works featuring different sets of instruments. To illustrate, many of Schmitt’s orchestral works were also published in piano reduction scores (solo, duet and/or piano […]

French music specialist Michael Feingold talks about creating orchestrations of Maurice Ravel’s piano and vocal scores.

Regular readers of the Florent Schmitt Website + Blog know that sometimes we “relax the routine” and publish an article that focuses on a different composer – usually a contemporary of Schmitt. Of the many fellow composers who Schmitt interacted with during his lengthy career, one with whom he shared an enduring professional and personal bond […]

Musicologist Megan Varvir Coe talks about the Symbolist roots of Florent Schmitt’s ballet La Tragédie de Salomé (1907/10).

Along with his concert band masterpiece Dionysiaques, La Tragédie de Salomé, Op. 50 is French composer Florent Schmitt’s best-known score.  But most music-lovers know only the version that Schmitt prepared in 1910 for large orchestra.  Three years earlier, an original version twice as long had been created by Schmitt for the American dancer Loïe Fuller, who presented it at […]

A link with history: French composer, teacher and writer Alain Margoni, 81, talks about working with Florent Schmitt in Paris during the 1950s.

Here in the year 2016, it is well over a half-century since French composer Florent Schmitt passed away at the age of nearly 90 years. Consequently, the number of musicians who have first-hand memories of interacting with the master has dwindled to a precious few. But we are fortunate to have French composer and teacher […]

Florent Schmitt and Igor Stravinsky: A Consequential Musical Relationship

Throughout his long life and composing career, Florent Schmitt would forge many personal friendships with his counterparts.  He was at the center of musical life in Paris, maintaining particularly close relationships with Maurice Ravel, Albert Roussel, Gabriel Pierné, Paul Dukas, Gabriel Fauré, Guillaume Lekeu and numerous other French composers. He also had decades-long friendships with composers from other […]

Spirit of the Dance: Florent Schmitt’s Suite sans esprit de suite (1937-38)

In the last two decades of his long life and extensive musical career, the composer Florent Schmitt would devote much of his energies to creating instrumental music and pieces for voice and choir. Indeed, by and large Schmitt’s later-career output eschewed the full orchestra — with a number of notable exceptions, among them the Introït, récit et congé […]