When Florent Schmitt died in August 1958 at the age of nearly 88 years, his fellow composer Henri Dutilleux penned this memorable epitaph: “Florent Schmitt was the last of that great family to which Ravel, Dukas, and Roussel belonged. He remains one of them who, by a happy assimilation of German and Central European influences, […]
Tag Archives: JoAnn Falletta
These charmers, written for violin or cello soloist, make for perfect recital pieces. Music-lovers who are familiar with Florent Schmitt’s catalogue know that he composed a number of works featuring the violin and cello as solo instruments. Most of the composer’s violin pieces have been gathered together in a fine collection of works including the […]
A slender, petite man — and the giant legacy he left us — draw parallels with Maurice Ravel. Over the decades, a total of four biographies of the French composer Florent Schmitt have been published – all of them written in French. Three of these biographies were written during the composer’s lifetime, and with his […]
On November 12 and 13, 2022, JoAnn Falletta and the Buffalo Philharmonic Orchestra presented one of the most significant entries in the catalogue of Florent Schmitt’s orchestral works — the first part of In Memoriam, Op. 72 (Cippus Feralis). Composed in 1935, it is an extraordinarily beautiful composition, replete with “passion and pathos.” Even though […]
As Florent Schmitt’s star has continued to rise in recent decades, one happy result has been the growing number of recordings helping to fill gaps in the composer’s discography. The trajectory has been real: At the turn of this century, only about half of Florent Schmitt’s compositions had been commercially recorded, but that number is […]
In addition to multiple presentations of Schmitt’s best-known composition La Tragédie de Salomé, music-lovers will be treated to two mid-career works — In Memoriam and the Symphonie concertante. It comes as no surprise that in the upcoming 2022-23 concert season, various conductors and orchestras will be presenting Florent Schmitt’s ballet La Tragédie de Salomé. Not […]
On May 12, 2022, the French conductor Fabien Gabel stepped up to the podium in the auditorium of Maison de la Radio in Paris to lead the Orchestre National de France in two works by Florent Schmitt: the symphonic picture Rêves, Op. 65 (dating from 1915) and the large-scale choral work Psaume XLVII, Op. 38 (composed […]
One of the serendipitous aspects of music history is coming across rare and precious documents that have remained hidden for decades. Such an occurrence happened this past summer when JoAnn Falletta, music director of the Buffalo Philharmonic Orchestra, received a package in the mail containing a collection of documents pertaining to a recital given by […]
When the composer Florent Schmitt died in August 1958 at the age of nearly 88 years, many prominent musicians, scholars and journalists wrote words of tribute honoring the last of the “grand generation” of French composers that had included, among others, Debussy, Dukas, Ravel, Roussel, Koechlin, Pierné, Cras, Rabaud, Ropartz and Tournemire. Along those lines, […]
The 2020 NAXOS recording, completed just days before the COVID pandemic shuttered classical music performances across the globe, includes two colorful ballet scores along with two world premieres. Since its November 2020 release during Florent Schmitt’s 150th birthday anniversary year, the NAXOS recording of four orchestral works by the Buffalo Philharmonic Orchestra under its music […]
Recently, two documents have emerged that point to the existence of a long-forgotten grouping of Florent Schmitt’s mélodies that can stand alongside the song cycles of fellow-French composers Henri Duparc, Claude Debussy, Maurice Ravel, Maurice Delage and Louis Aubert. The grouping of Florent Schmitt mélodies carries the umbrella title “Poèmes des lacs,” and some details […]
The new NAXOS release features two iconic ballet suites along with two world premiere recordings. Back in 2015, a recording of the music of Florent Schmitt on the NAXOS label, performed by the Buffalo Philharmonic Orchestra and its music director, JoAnn Falletta, was a noteworthy artistic and commercial success. Today, these same musical forces are […]
French composers of the period really knew how to write vocal music. Composers like Ravel, Debussy and Florent Schmitt were taught how to write for the human voice. — Karina Gauvin, Canadian Soprano How can one composer be so gifted at so much? — JoAnn Falletta, American Orchestra Conductor When one looks at the extensive […]
In early March 2020, I had the opportunity to attend what turned out to be the very last public performances of Florent Schmitt’s orchestral before the Coronavirus pandemic effectively shut down classical concerts across the globe. Those concerts, presented by the Buffalo Philharmonic Orchestra under the direction of JoAnn Falletta, were noteworthy not only because the […]
On March 6 and 7, 2020, the Buffalo Philharmonic Orchestra under the direction of its music director, JoAnn Falletta, presented Florent Schmitt’s Légende, Op. 66 in concert. However, it wasn’t the customary version for saxophone that the composer had created in 1918, but rather the version prepared several years later that features a solo violin. […]