Florent Schmitt

A website and blog that celebrates the highly individualistic music of the fascinating French composer Florent Schmitt (1870-1958) — as well as the scholars and musicians who study and perform his works.

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  • Florent Schmitt – A French Composer Extraordinaire (Short Biography)
  • Florent Schmitt: A timeline of the composer’s musical creations.
  • Florent Schmitt: Alphabetical Listing of Compositions (1884-1958)
  • Florent Schmitt: Biographies, Dissertations and Other Information Resources on the Composer
  • Florent Schmitt: Links to Articles Grouped by Composition
  • Florent Schmitt: Listing of Broadcast Performances of Compositions Housed at the INA Archives (French National Radio/Television)
  • Florent Schmitt: Listing of Premiere Performances of Orchestral Works (1900-1958)
  • Florent Schmitt: The Composer Interviewed
  • Florent Schmitt: The Composer’s Recorded Legacy
  • Interviews with Musicians and Scholars who Champion the Artistry of Florent Schmitt
  • Musicians Who Perform Florent Schmitt’s Compositions: A Listing of Current Artists
  • Prix Florent Schmitt: Listing of Prizewinning Composers and Recordings: 1963-2020
  • The Author of the Florent Schmitt Website + Blog: Phillip Nones
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Tag Archives: Peer Gynt

Director Bill Barclay and conductor JoAnn Falletta talk about mounting a dramatic adaptation of Antony & Cleopatra that pairs Shakespeare’s words with Florent Schmitt’s jaw-dropping music from the 1920 Paris production of the play.

May 24, 2019 · by Phillip Nones | in Classical Music, Composers, French Composers | tagged Andre Gide, Barbican, BBC Symphony Orchestra, Bibliotheque Nationale de France, Bill Barclay, Buffalo Philharmonic, Camille Chevillard, Concert Theatre Works, Florent Schmitt, Henry Purcell, Ida Rubinstein, JoAnn Falletta, Midsummer Night's Dream, Orchestre Lamoureux, Peer Gynt, Sakari Oramo, Schmitt, Shakespeare 400, Shakespeare's Globe, The Fairy Queen, Virginia Arts Festival, Virginia Symphony Orchestra | Leave a comment

By now, it seems that Florent Schmitt’s two Antoine et Cléopâtre Suites, Op. 69 have at last transitioned from being true rarities to become orchestral repertoire that is actually known.  There are now four commercial recordings of the suites (three of them made within the past decade), and in the past several years the music […]

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Recent Posts

  • “Keenly alert features, a sharp eye — more like a banker or statesman than a musician”: American critic and Musical Courier editor-in-chief Leonard Liebling meets with Florent Schmitt in Paris (1932). December 1, 2025
  • The making of Yan Pascal Tortelier’s newest Florent Schmitt recording: An eyewitness report from Manchester (October 2025). November 6, 2025
  • A link with music history: French composer Pierrette Mari’s remembrances of Florent Schmitt during the 1950s. November 1, 2025
  • Experiencing Florent Schmitt’s Psalm 47 (1904) in concert: An eyewitness report from Houston (September 2025). October 1, 2025
  • Pianists Genevieve Fei-wen Lee and Brian Hsu talk about preparing and performing Florent Schmitt’s Trois rapsodies (1903-04). September 1, 2025
  • Beauty in the shadow of conflict: Florent Schmitt’s wartime choral work Cinq motets (1914-17). August 1, 2025

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Top Posts & Pages

  • A link with music history: French composer Pierrette Mari’s remembrances of Florent Schmitt during the 1950s.
    A link with music history: French composer Pierrette Mari’s remembrances of Florent Schmitt during the 1950s.
  • Made for the stage:  The incredible life and career of dancer and dramatic actress Ida Rubinstein ... and her 20-year collaboration with French composer Florent Schmitt.
    Made for the stage: The incredible life and career of dancer and dramatic actress Ida Rubinstein ... and her 20-year collaboration with French composer Florent Schmitt.
  • French pianist Clément Canonne talks about discovering and recording the late-career solo piano compositions of Florent Schmitt.
    French pianist Clément Canonne talks about discovering and recording the late-career solo piano compositions of Florent Schmitt.
  • Quiet intensity and moving moderation:  Messe en quatre parties, Florent Schmitt's final composition (1958).
    Quiet intensity and moving moderation: Messe en quatre parties, Florent Schmitt's final composition (1958).
  • Florent Schmitt:  Alphabetical Listing of Compositions (1884-1958)
    Florent Schmitt: Alphabetical Listing of Compositions (1884-1958)
  • The Author of the Florent Schmitt Website + Blog: Phillip Nones
    The Author of the Florent Schmitt Website + Blog: Phillip Nones
  • “White-haired, bearded and thoroughly charming”:  American contralto Rita Sebastian’s remembrances of performing with Florent Schmitt at Town Hall in New York City (1932).
    “White-haired, bearded and thoroughly charming”: American contralto Rita Sebastian’s remembrances of performing with Florent Schmitt at Town Hall in New York City (1932).
  • French composer Louis Aubert's essay about the "dual character" of Florent Schmitt's musical artistry (1937).
    French composer Louis Aubert's essay about the "dual character" of Florent Schmitt's musical artistry (1937).
  • Florent Schmitt and the Flute (Scherzo-Pastorale; Quatuor; Suite en quatre parties)
    Florent Schmitt and the Flute (Scherzo-Pastorale; Quatuor; Suite en quatre parties)
  • Late bloomer?  Florent Schmitt's La Tragédie de Salomé (1907/10) is now making a splash with regional orchestras and student ensembles.
    Late bloomer? Florent Schmitt's La Tragédie de Salomé (1907/10) is now making a splash with regional orchestras and student ensembles.
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