Director Bill Barclay and conductor JoAnn Falletta talk about mounting a dramatic adaptation of Antony & Cleopatra that pairs Shakespeare’s words with Florent Schmitt’s jaw-dropping music from the 1920 Paris production of the play.

By now, it seems that Florent Schmitt’s two Antoine et Cléopâtre Suites, Op. 69 have at last transitioned from being true rarities to become orchestral repertoire that is actually known.  There are now four commercial recordings of the suites (three of them made within the past decade), and in the past several years the music […]