In 2010, the American conductor JoAnn Falletta resurrected a Florent Schmitt rarity: The Suite No. 1 from the incidental music the composer had written for Andre Gide’s adaptation of William Shakespeare’s play Antony & Cleopatra. It was an Ida Rubinstein production done in her characteristically outré style: an entire-evening extravaganza mounted at the Paris Opéra. […]
Tag Archives: Camille Chevillard
Sprinkled throughout the catalogue of Florent Schmitt’s compositions are a goodly number of shorter orchestral pieces. They range in their moods from contemplative to joyous to stormy. One of these orchestral miniatures that I find particularly compelling is Rêves, Op. 65 (Dreams), a work that Schmitt began composing in 1913. He prepared a piano version […]
One of the most satisfying of Florent Schmitt’s extensive trove of music for piano duet and duo – and the one that is my personal favorite of all of them – is Trois Rapsodies, Op. 53, a work he composed in 1903-4. Made up of three movements titled Française, Polonaise and Viennoise, it is a work that fully engages […]
