Originality, Eclecticism … and Female Voices: Florent Schmitt’s Six Chœurs (1931).

Music lovers who know Florent Schmitt’s stunning Psaume XLVII (1904) might wonder what other choral music may have come from the composer’s pen. And in fact, there are nearly 25 individual choral scores written by Schmitt, created over more than a half-century’s time. None of them are nearly as famous as the Psalm, but they […]

Oriane et le Prince d’Amour: Florent Schmitt’s Final ‘Orientalist’ Composition (1933)

One of the most memorable aspects of French composer Florent Schmitt’s musical output is his artistic work in the “orientalist” realm.  In fact, in this aspect it could be claimed with some justification that Schmitt had no peer, notwithstanding the efforts of other fine composers in France (Saint-Saens, Bizet, Lalo, d’Indy, Roussel, Rabaud, Ravel, Delage, Aubert, etc.) and elsewhere […]

French Composer Florent Schmitt’s Romance with the Orient

“The music is vigorous, colorful, and imbued with a slightly fierce sadness which is perhaps the most personal characteristic of the author … a feeling that, rightly or wrongly, we take to be oriental and even Semitic.” — Music critic Louis Laloy, writing about the 1920 premiere of Florent Schmitt’s Antoine et Cléopâtre. When one […]