Oriane et le Prince d’Amour: Florent Schmitt’s Final ‘Orientalist’ Composition (1933)

One of the most memorable aspects of French composer Florent Schmitt’s musical output is his artistic work in the “orientalist” realm.  In fact, in this aspect it could be claimed with some justification that Schmitt had no peer, notwithstanding the efforts of other fine composers in France (Saint-Saens, Bizet, Lalo, d’Indy, Roussel, Rabaud, Ravel, Delage, Aubert, etc.) and elsewhere […]