French-American conductor David Grandis talks about discovering the music of French composer Max d’Ollone and championing his repertoire in the concert hall.

Regular readers of the Florent Schmitt Website + Blog know that occasionally we “relax the routine” a bit and delve into the artistry of other composers — particularly ones who lived and worked in the same time period as Schmitt.  (See, for example, these articles about Stravinsky, Ravel, Falla and Zandonai.) Another such person is […]