French-American conductor David Grandis talks about discovering the music of French composer Max d’Ollone and championing his repertoire in the concert hall.

Regular readers of the Florent Schmitt Website + Blog know that occasionally we “relax the routine” a bit and delve into the artistry of other composers — particularly ones who lived and worked in the same time period as Schmitt.  (See, for example, these articles about Stravinsky, Ravel and Zandonai.) Another such person is Max […]

Florent Schmitt Goes to Germany: Reflets d’Allemagne (1902-05).

For music-lovers who aren’t very familiar with the music of Florent Schmitt, they may well think that the composer is German. Or at the very least, they might assume that the music bears a strong resemblance to Germanic musical style. Of course, for those who know Schmitt and his artistry, they realize that any “German” musical influence falls well-behind French influence […]