Florent Schmitt’s Légende, Op. 66 is one of the most compelling concertante pieces ever written for the saxophone. Composed in 1918, it’s a work that exists in versions for saxophone, viola and violin soloist, along with orchestral or piano accompaniment. Simply put, it’s an unforgettable piece of music: Within the span of just ten minutes, Schmitt presents a rhapsodic […]
Tag Archives: Christopher Bartz
The saxophone has always held a somewhat tenuous position in the symphony orchestra. Perhaps because of its relatively late invention (around 1845), it’s never really become a full-fledged part of the wind section in classical music. Undoubtedly too, some composers have found the saxophone’s sonorities to be better suited for wind ensembles and pop bands […]