Canadian saxophonist Louis-Philippe Bonin talks about Florent Schmitt’s Saxophone Quartet (1941) and its pride of place in the saxophone repertoire.

Florent Schmitt composed just three works for the saxophone, but all three of them hold a place of prominence in the repertoire. Soloists frequently play the Légende (1918) as well as the Songe de Coppélius (1908).  Both of these are works that are Impressionistic and Romantic in style — with a more than hint of Schmitt’s […]

Saxophonist Christopher Bartz talks about Florent Schmitt’s Légende (1918) and its pride of place in the saxophone repertoire.

Florent Schmitt’s Légende, Op. 66 is one of the most compelling concertante pieces ever written for the saxophone.  Composed in 1918, it’s a work that exists in versions for saxophone, viola and violin soloist, along with orchestral or piano accompaniment. Simply put, it’s an unforgettable piece of music:  Within the span of just ten minutes, Schmitt presents a rhapsodic […]

Florent Schmitt and the Saxophone

The saxophone has always held a tenuous position in the symphony orchestra. Perhaps because of its relatively late invention (around 1845), it’s never really become a full-fledged part of the wind section. Undoubtedly too, some composers have found the saxophone’s sonorities to be better suited for wind ensembles and pop bands than for classical music. But if […]