Film music specialist Doug Adams talks about Florent Schmitt’s Salammbô (1925) and other music scores from the silent film era.

One of the world’s leading journalists and authors on film music gives Schmitt’s score pride of place in the first quarter century of motion pictures. Among the most intriguing entries in the catalogue of Florent Schmitt’s compositions are the three suites he extracted from his score to the silent film Salammbô, which was premiered at the […]