Something borrowed, something new: Exploring the recurring musical themes and passages in Florent Schmitt’s catalogue of works.

It isn’t uncommon for classical composers to create alternate versions of their musical creations.  Many have prepared piano reductions of their orchestral works, or done the opposite by orchestrating pieces originally written for piano. We also have numerous examples of pieces that began life as chamber music that were later orchestrated by their creators; the […]

Nine important compositions of Florent Schmitt to be featured in the upcoming 2021-22 concert season by orchestras in Avignon, Detroit, Geneva, Hamburg, Kyoto, La Coruña, Malmö, Metz, Osnabrück, Paris, Rochefort, Saratoga Springs, Tokyo, Toulouse and Urbana.

In a classical music world finally emerging from the COVID-19 crisis, orchestras are beginning again to program “large orchestra” works that had been embargoed due to social distancing requirements. It bodes well for French composer Florent Schmitt’s big, highly colorful scores. The year 2020 was one of several important anniversaries for classical music composers.  The […]

Film music specialist Doug Adams talks about Florent Schmitt’s Salammbô (1925) and other music scores from the silent film era.

One of the world’s leading journalists and authors on film music gives Schmitt’s score pride of place in the first quarter century of motion pictures. Among the most intriguing entries in the catalogue of Florent Schmitt’s compositions are the three suites he extracted from his score to the silent film Salammbô, which was premiered at the […]

One Heck of a Film Score: Florent Schmitt’s Salammbô (1925)

There are a number of indisputably great composers for the film: names like Richard Addinsell, David Raksin and Dimitri Tiomkin. And there are “serious” 20th century composes who also devoted more than a little of their effort and energy to writing for the screen. Erich Wolfgang Korngold comes immediately to mind, although one could also place Serge […]