Music critic Rob Barnett talks about the music of Florent Schmitt and its growing presence on recordings.

Recently, the online magazine MusicWeb International published a feature article about the French recording label Timpani Records and its commitment to bringing out recordings of the music of Florent Schmitt. Encompassing a range of works including solo piano, chamber music, vocal and orchestral selections, this enterprising label has released six recordings devoted exclusively to Schmitt’s compositions — including several […]

French Cellist Henri Demarquette talks about the Music of Florent Schmitt and the Introït, récit et congé (1948).

The recent release of the premiere recording of Florent Schmitt’s Introït, récit et congé, Op. 113, has given lovers of French music and cello music in general the opportunity to hear an interesting and inventive concertante piece that was composed in 1948 for the French cellist André Navarra. Fortunately, this premiere recording (on the Timpani label) […]

Introït, récit et congé: Florent Schmitt’s tour de force for cello and orchestra (1948).

Over his seven decades-long composing career, Florent Schmitt would pen three concertante works for cello. The early Chant élégiaque (from 1899-1903) seems clearly influenced by Schmitt’s teacher and mentor, Gabriel Fauré, who had composed his own Elegy for Cello & Orchestra in the 1880s. The 1932 Final for Cello & Orchestra comes from Schmitt’s middle period of […]