In a September 2025 interview, the 96-year-old composer shares her recollections of Florent Schmitt and his distinctive personality. In this year of 2025, it is difficult to imagine that there are any musicians alive who’d have had personal interactions with French composer Florent Schmitt. After all, Schmitt passed away in 1958, and nearly seven decades […]
Tag Archives: Bernard Gavoty
The new release on the Urborigène Records label, performed by French pianist Clément Canonne, includes two world premiere recordings plus an unpublished 1950 piano sonata that later became the wind composition Chants alizés. Music-lovers who are familiar with the music of Florent Schmitt know that a significant number of his compositions were written for the […]
When Florent Schmitt died in August 1958 at the age of nearly 88 years, his fellow composer Henri Dutilleux penned this memorable epitaph: “Florent Schmitt was the last of that great family to which Ravel, Dukas, and Roussel belonged. He remains one of them who, by a happy assimilation of German and Central European influences, […]
“Florent Schmitt will not have left this earth without taking away, like a viaticum, the certainty of his genius.” — Bernard Gavoty At the time Florent Schmitt passed away on August 17, 1958 at the age of nearly 88 years, he was considered by many to be the doyen of French composers. One of the […]
During the latter years of Florent Schmitt’s long and illustrious career, the composer turned his creative talents increasingly toward music for scored small instrumental forces. Among the notable achievements of this late creative period are the fascinating (and challenging) String Trio (1944) and String Quartet (1948), as well as a group of compositions that showcase […]
Even though he is justly famous for his highly colorful and opulent orchestrations, Florent Schmitt’s own instrument was the piano mainly (although he also played the organ and flute). And during his early years as a composer, much of what he created was a vast quantity of music for piano, as well as for voice […]
“I’ve learned a good deal in terms of structure by listening to classical music — and particularly to music created by a person like Florent Schmitt. In fact, I think that a well-structured text, including a share of the predictable and unpredictable, should be modeled on a piece of Schmitt’s music!” — Julien Columeau, novelist […]
Cliquez ici pour écouter l’interview de Schmitt/Gavoty sur YouTube. For devotees of the Florent Schmitt Website + Blog, we are pleased to provide a link to a rare taped interview of the composer, done on February 20, 1957 when Schmitt was 86 years old. The interview was conducted at the Jeunesses Musicales de France by Bernard […]
Over his seven decades-long composing career, Florent Schmitt would pen three concertante works for cello. The early Chant élégiaque (from 1899-1903) seems clearly influenced by Schmitt’s teacher and mentor, Gabriel Fauré, who had composed his own Elegy for Cello & Orchestra in the 1880s. The 1932 Final for Cello & Orchestra comes from Schmitt’s middle period of […]
All his life, Florent Schmitt was an inveterate traveler … but we think of his globetrotting primarily in connection with Europe, the Mediterranean Region, the Middle East, South Asia and Brazil, rather than North America. And in fact, the composer was to travel to the United States only one time his life – in 1932 […]
Here we have it, ladies and gentlemen: France’s missing symphony from the 1950s … It is almost impossibly beautiful, with some of the most kaleidoscopic sound-staging and effective bass sonorities you will encounter. Florent Schmitt’s Second Symphony was never precisely lost, to be sure. It’s actually the Francophone fifties which seemed to disappear and turn […]