Members of the Mélomanie chamber ensemble talk about the music of Florent Schmitt and preparing his Sonatine en trio (1935) for performance.

In April 2017, the Delaware-based chamber group Mélomanie presented Florent Schmitt’s Sonatine en trio, Opus 85, an intimate and engaging piece for flute, clarinet and harpsichord the composer created in 1935. The Schmitt Sonatine was part of a fascinating program that featured seven works stretching from the 1600s (Marin Marais) through to contemporary pieces by Nicolas Bacri, Shulamit […]

Six important compositions of Florent Schmitt to be featured in the upcoming 2016/17 concert season by orchestras in Asheville, Berlin, Bern, Liège, London, Metz, Neuss-am-Rhein, Paris, Philadelphia, Québec, Seoul, Spokane, Stockholm and Tokyo.

The international Bachtrack website is in the process of uploading its global database of classical music programs for the upcoming season. Although it isn’t an exhaustive listing of every orchestral group, the site covers nearly all of the major orchestras, opera and ballet companies and other important ensembles around the world, making it the “go-to” […]

A Rare Live Interview with French Composer Florent Schmitt (1956)

For devotees of the Florent Schmitt Website + Blog, we are pleased to provide a link to a rare taped interview of the composer, done in 1956 when Schmitt was 86 years old. The interview was conducted at the Jeunesses Musicales de France by Bernard Gavoty, the famed French organist, author and music critic who interviewed […]

Florent Schmitt Goes to Germany: Reflets d’Allemagne (1902-05).

For music-lovers who aren’t very familiar with the music of Florent Schmitt, they may well think that the composer is German. Or at the very least, they might assume that the music bears a strong resemblance to Germanic musical style. Of course, for those who know Schmitt and his artistry, they realize that any “German” musical influence falls well-behind French influence […]

Introït, récit et congé: Florent Schmitt’s tour de force for cello and orchestra (1948).

Over his seven decades-long composing career, Florent Schmitt would pen three concertante works for cello. The early Chant élégiaque (from 1899-1903) seems clearly influenced by Schmitt’s teacher and mentor, Gabriel Fauré, who had composed his own Elegy for Cello & Orchestra in the 1880s. The 1932 Final for Cello & Orchestra comes from Schmitt’s middle period of […]

Florent Schmitt and the Flute

For a composer who wrote many pages of chamber and instrumental music featuring nearly every instrument of the orchestra, Florent Schmitt’s compositions featuring the flute are comparative few. In fact, I count only three such works in the Schmitt catalogue.  They span all the way from his earliest years as a composer (1887) to nearly […]

World-Premiere Recordings of Florent Schmitt’s Music for Piano Duet and Duo

As the complete music for piano duet and duo composed by Florent Schmitt continues to be released by the Grand Piano label in its series featuring the Invencia Piano Duo, it’s becoming clear that this is music of immediate appeal … and also of substance. Three of the four planned CDs in the series have now been released in […]