Musicologist Suddhaseel Sen talks about the artistry of Florent Schmitt and the importance of his orientalist compositions.

Musicologist, author and teacher Suddhaseel Sen comes to his appreciation of Western classical music from an interesting angle. A native of the Indian subcontinent, Dr. Sen made his first musical discoveries there, long before coming to the West for a range of music-related studies and research. Today, Dr. Sen is back in India as Assistant Professor of Humanities […]

Introït, récit et congé: Florent Schmitt’s tour de force for cello and orchestra (1948).

Over his seven decades-long composing career, Florent Schmitt would pen three concertante works for cello. The early Chant élégiaque (from 1899-1903) seems clearly influenced by Schmitt’s teacher and mentor, Gabriel Fauré, who had composed his own Elegy for Cello & Orchestra in the 1880s. The 1932 Final for Cello & Orchestra comes from Schmitt’s middle period of […]