“Disclaiming all coteries, dogmas, and ready-made religious or organized enthusiasms”: G. Jean-Aubry’s insightful essay on Florent Schmitt and his artistry.

The French critic’s perspectives on Florent Schmitt, originally published before World War I, proved prescient in the years to follow. When Florent Schmitt’s Symphonie concertante was premiered in Boston, Massachusetts in November 1932, the composer himself traveled to the United States to be the featured pianist in a work that had been dedicated by him […]

Florent Schmitt’s Mirages: Poignant and Potent Musical Pictures Inspired by Paul Fort and Lord Byron (1920-23)

One of the highly interesting compositions by Florent Schmitt is Mirages, Op. 70. This work exists in two versions: its original piano form composed in 1920/21, and a later orchestration prepared by the composer in 1923 and premiered in 1924 by Schmitt’s friend, the conductor Serge Koussevitzky. I find Mirages to be a compelling work, even if […]

Symphonie concertante: When Florent Schmitt came to America (1932).

All his life, Florent Schmitt was an inveterate traveler … but we think of his globetrotting primarily in connection with Europe, the Mediterranean Region, the Middle East, South Asia and Brazil, rather than North America. And in fact, the composer was to travel to the United States only one time his life – in 1932 […]