Living and working as he did throughout the entirety of France’s “Golden Age” of classical music, Florent Schmitt was well-acquainted with all of the significant composers of the day in Paris. Among the most famous of them — Achille-Claude Debussy, Maurice Ravel, Albert Roussel and Paul Dukas — the latter three were particularly close friends […]
Tag Archives: Pauline Gordon
One of the highly interesting compositions by Florent Schmitt is Mirages, Op. 70. This work exists in two versions: its original piano form composed in 1920/21, and a later orchestration prepared by the composer in 1923 and premiered in 1924 by Schmitt’s friend, the conductor Serge Koussevitzky. I find Mirages to be one of Schmitt’s most compelling […]