Music critics at France-Musique evaluate current recordings of Florent Schmitt’s ballet La Tragédie de Salomé (1907/10).

Their designation of Paul Paray’s classic reading with the Detroit Symphony Orchestra as the best overall recording is echoed by France-Musique’s listener audience. As part of its popular broadcast series La Tribune des critiques de disques, in October 2017 the French national public radio channel France-Musique aired a two-hour program in which a roundtable panel of eminent […]

American conductor JoAnn Falletta talks about the release of her new NAXOS recording of Florent Schmitt’s Antony & Cleopatra and The Haunted Palace with the Buffalo Philharmonic Orchestra.

“Florent Schmitt’s music should be mentioned in the same breath as Debussy and Ravel.” — JoAnn Falletta, American Orchestra Conductor In March of this year, the American conductor JoAnn Falletta recorded two important works by Florent Schmitt: the 1904 symphonic etude Le Palais hanté, Opus 49 and the two suites of incidental music for André […]

The Buffalo Philharmonic Orchestra Announces the North American Premiere Concert Performances of Florent Schmitt’s Complete Antoine et Cléopâtre Suites — 95 Years following their Composition

Le Palais hanté is also planned for performance and recording. North American classical music lovers are in for a treat this coming orchestra season.  The Buffalo Philharmonic Orchestra has announced that its 2014-15 concert schedule includes the first performances in North America of Florent Schmitt’s complete Antoine et Cléopâtre Suites, Op. 69. The performances of this […]

Fonctionnaire MCMXII: Florent Schmitt versus French Civil Servants (1923)

Around the world today, the news is full of stories about bloated government bureaucracies and the inefficiencies of various public agencies. From France and Italy to the United States, there are persistent calls for governments to become leaner and more effective, beginning with eliminating “waste, fraud and abuse” from various agencies. But this isn’t a […]

The Influence of Florent Schmitt’s Psaume XLVII (1904) on Other French Composers

When Florent Schmitt’s monumental score Psaume XLVII was premiered in December 1906, it burst upon the Parisian music scene in a big way. Nothing this grandiose had been heard outside the opera house since the days of Berlioz. The French poet and essayist Léon-Paul Fargue echoed the sentiments of many when he wrote of the Psalm: […]