Available in mid-January 2017, the boxed set includes all 14 compositions first released in 2012-13 … now at a special price of four CDs for the price of two. Several years ago, the Grand Piano label issued a series of four CDs that together make up the complete original works for piano duet and duo by […]
Tag Archives: Andrey Kasparov
During his time as a student at the Paris Conservatoire, Florent Schmitt had his share of esteemed teachers including Jules Massenet, Théodore Dubois, André Gédalge and Albert Lavignac. But Gabriel Fauré, who along with Massenet were Schmitt’s two instructors in composition, was his favorite teacher — and also arguably the most influential one. Time and again, […]
One of the most satisfying of Florent Schmitt’s extensive trove of music for piano duet and duo – and the one that is my personal favorite of all of them – is Trois Rapsodies, Op. 53, a work he composed in 1903-4. Made up of three movements titled Française, Polonaise and Viennoise, it is a work that fully engages […]
One of the most interesting works by Florent Schmitt is his Lied et Scherzo, Op. 54, which he composed in 1910. The piece was first conceived as a work for double wind quintet, with one of the French horns acting as soloist throughout. The work was dedicated to Schmitt’s fellow French composer Paul Dukas, who […]
“[Florent Schmitt’s four-hand piano works are] probably the finest in the whole modern repertoire. Sanely modern and splendidly constructed (they are a joy to play), his large output — in quality and inspiration — stands alone, and his genius finds full expression in this form.” — Alec Rowley, English composer and keyboard artist One of […]
As the complete music for piano duet and duo composed by Florent Schmitt continues to be released by the Grand Piano label in its series featuring the Invencia Piano Duo, it’s becoming clear that this is music of immediate appeal … and also of substance. Three of the four planned CDs in the series have now been released in […]
One of the highly interesting compositions by Florent Schmitt is Mirages, Op. 70. This work exists in two versions: its original piano form composed in 1920/21, and a later orchestration prepared by the composer in 1923 and premiered in 1924 by Schmitt’s friend, the conductor Serge Koussevitzky. I find Mirages to be one of Schmitt’s most compelling […]