The fascinating story of L’Arbre entre tous (1939-40), Florent Schmitt’s 150th anniversary tribute to the French Revolution.

Premiered in May 1940 — mere weeks before the fall of France — the piece was shelved thereafter, with the unpublished score and parts languishing in the archives of the Bibliothèque national de France and Universal/Durand. Within the catalogue of Florent Schmitt’s compositions, there are a significant number of works for orchestra with chorus. Some […]

Playful liveliness and ironic verve: Florent Schmitt’s Trois trios for female voices (1940)

Within the extensive catalogue of compositions by Florent Schmitt are a large number of choral works, great and small. Of these, music-lovers are likely to be most familiar with Schmitt’s grandiose setting of Psalm 47, which he composed in 1904 during his Prix de Rome period. But most of Schmitt’s other choral works are vastly different from […]

Feuillets de voyage: French composer Florent Schmitt’s musical travel diary (1903-5).

Often, composers “favor” instruments that they themselves know how to play.  Florent Schmitt’s own instruments were the piano, organ and flute, so it shouldn’t be too surprising that a significant number of this composer’s creations would feature these instruments. In particular, Schmitt was a highly proficient pianist, which helps explain the expressiveness and effectiveness of his piano compositions […]

Forgotten Records: Resurrecting noteworthy commercial and broadcast recordings of Florent Schmitt’s music from the LP era.

There’s no question that in the past two decades, the breadth and depth of French composer Florent Schmitt’s music that has made it to the microphones has increased dramatically. Nearly every year, we are treated to world premiere recordings of more Schmitt works. The most recent examples are the complete works for piano duo and duet as […]

Symphonie concertante: When Florent Schmitt Came to America (1932)

All his life, Florent Schmitt was an inveterate traveler … but we think of his globetrotting primarily in connection with Europe, the Mediterranean Region, the Middle East, South Asia and Brazil, rather than North America. And in fact, the composer was to travel to the United States only one time his life – in 1932 […]