“This musician of immensity and altitudes”: French music journalist and writer Paul Locard takes the measure of Florent Schmitt at eighty years of age (1950).

Several months ago, I published an article about an 80th birthday tribute event honoring Florent Schmitt that was organized in 1950 by the town of St-Cloud, where the composer had lived for 40+ years. The festivities included a gala reception and concert featuring recent compositions created by Schmitt, presented by leading French classical musicians. Not […]

Habeyssée (1947): Florent Schmitt’s rich and colorful suite for violin.

Even though he is justly famous for his highly colorful and opulent orchestrations, Florent Schmitt’s own instrument was the piano mainly (although he also played the organ and flute). And during his early years as a composer, much of what he created was a vast quantity of music for piano, as well as for voice […]

Beyond Debussy and Ravel: Florent Schmitt’s Ombres (1912-17)

Maurice Ravel’s Gaspard de la nuit is justly recognized as that composer’s most towering achievement in piano keyboard writing.  Composed in 1908, this set of three pieces (Ondine, Le Gibet, Scarbo) which take their inspiration from a book by Aloysius Bertrand, are the most technically demanding and revolutionary of Ravel’s piano works. Far less well-known but equally […]