In May 1924, a new edition of the French magazine La Revue musicale hit the newsstands — one that was devoted to the artistic legacy of Pierre de Ronsard, among the most celebrated poets in all of French literary history. The brainchild of Henry Prunières, founder and editorial guiding light of the magazine, the May […]
Tag Archives: Eugene Bigot
Florent Schmitt’s three instruments were the flute, the organ and the piano. Arguably the piano was the one he preferred most — at least based on the quantity of music he created — for within the catalogue of Schmitt’s compositions are vast swaths of music written for the piano solo, piano duet and duo. The […]
During his lengthy career, the French composer Florent Schmitt would periodically turn to the subject of children for musical inspiration – often involving pieces written for piano. In the early 1900s Schmitt composed four collections of piano duets featuring easy primo parts for young pupils. Sur cinq notes (1906); Trois pièces récréatives (1907); Huit courtes pieces […]
Even though he is justly famous for his highly colorful and opulent orchestrations, Florent Schmitt’s own instrument was the piano mainly (although he also played the organ and flute). And during his early years as a composer, much of what he created was a vast quantity of music for piano, as well as for voice […]
In 1937, one of the final transnational gatherings held on the European continent before the onset of World War II occurred in the city of Paris. The International Exposition of Art and Technology in Modern Life — colloquially known as the Paris Exposition — took place between May and November of that year. Its lofty […]
In the last two decades of his long life and extensive musical career, the composer Florent Schmitt would devote much of his energies to creating instrumental music and pieces for voice and choir. Indeed, by and large Schmitt’s later-career output eschewed the full orchestra — with a number of notable exceptions, among them the Introït, récit et congé […]
There’s no question that in the past two decades, the breadth and depth of French composer Florent Schmitt’s music that has made it to the microphones has increased dramatically. Nearly every year, we are treated to world premiere recordings of more Schmitt works. The most recent examples are the complete works for piano duo and duet as […]